Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Selina was at once bewildered and calm; rebellious and content.
Over-laying these emotions was something like grim amusement. Beneath
them, something like fright. High Prairie, in May, was green and gold
and rose and blue. The spring flowers painted the fields and the
roadside with splashes of yellow, of pink, of mauve, and purple.
Violets, buttercups, mandrakes, marsh-marigolds, hepatica. The air was
soft and cool from the lake. Selina had never known spring in the
country before. It made her ache with an actual physical ache. She moved
with a strange air of fatality. It was as if she were being drawn
inexorably, against her will, her judgment, her plans, into something
sweet and terrible. When with Pervus she was elated, gay, voluble. He
talked little; looked at her dumbly, worshippingly. When he brought her
a withered bunch of trilliums, the tears came to her eyes. He had walked
to Updike’s woods to get them because he had heard her say she loved
them, and there were none nearer. They were limp and listless from the
heat, and from being held in his hand. He looked up at her from where he
stood on the kitchen steps, she in the doorway. She took them, laid her
hand on his head. It was as when some great gentle dog brings in a limp
and bedraggled prize dug from the yard and, laying it at one’s feet,
looks up at one with soft asking eyes.
There were days when the feeling of unreality possessed her. She, a
truck farmer’s wife, living in High Prairie the rest of her days! Why,
no! No! Was this the great adventure that her father had always spoken
of? She, who was going to be a happy wayfarer down the path of life—any
one of a dozen things. This High Prairie winter was to have been only an
episode. Not her life! She looked at Maartje. Oh, but she’d never be
like that. That was stupid, unnecessary. Pink and blue dresses in the
house, for her. Frills on the window curtains. Flowers in bowls.
Some of the pangs and terrors with which most prospective brides are
assailed she confided to Mrs. Pool while that active lady was slamming
about the kitchen.
“Did you ever feel scared and—and sort of—scared when you thought
about marry, Mrs. Pool?”
Maartje Pool’s hands were in a great batch of bread dough which she
pummelled and slapped and kneaded vigorously. She shook out a handful of
flour on the baking board while she held the dough mass in the other
hand, then plumped it down and again began to knead, both hands doubled
into fists.
She laughed a short little laugh. “I ran away.”
“You did! You mean you really ran—but why? Didn’t you lo—like Klaas?”
Maartje Pool kneaded briskly, the colour high in her cheeks, what with
the vigorous pummelling and rolling, and something else that made her
look strangely young for the moment—girlish, almost. “Sure I liked him,
I liked him.”
“But you ran away?”
“Not far. I came back. Nobody ever knew I ran, even. But I ran. I knew.”
“Why did you come back?”
Public-domain text, read in full here on John Shaqi.
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