Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Maartje elucidated her philosophy without being in the least aware that
it could be called by any such high-sounding name. “You can’t run away
far enough. Except you stop living you can’t run away from life.”
The girlish look had fled. She was world-old. Her strong arms ceased
their pounding and thumping for a moment. On the steps just outside
Klaas and Jakob were scanning the weekly reports preparatory to going
into the city late that afternoon.
Selina had the difficult task of winning Roelf to her all over again. He
was like a trusting little animal, who, wounded by the hand he has
trusted, is shy of it. She used blandishments on this boy of thirteen
such as she had never vouchsafed the man she was going to marry. He had
asked her, bluntly, one day: “Why are you going to marry with him?” He
never spoke the name.
She thought deeply. What to say? The answer ready on her tongue would
have little meaning for this boy. There came to her a line from Lancelot
and Elaine. She answered, “To serve him, and to follow him through the
world.” She thought that rather fine-sounding until Roelf promptly
rejected it. “That’s no reason. An answer out of a book. Anyway, to
follow him through the world is dumb. He stays right here in High
Prairie all his life.”
“How do you know!” Selina retorted, almost angrily. Startled, too.
“I know. He stays.”
Still, he could not withstand her long. Together they dug and planted
flower beds in Pervus’s dingy front yard. It was too late for tulips
now. Pervus had brought her some seeds from town. They ranged all the
way from poppies to asters; from purple iris to morning glories. The
last named were to form the back-porch vine, of course, because they
grew quickly. Selina, city-bred, was ignorant of varieties, but insisted
she wanted an old-fashioned garden—marigolds, pinks, mignonette, phlox.
She and Roelf dug, spaded, planted. The DeJong place was markedly ugly
even in that community of squat houses. It lacked the air of sparkling
cleanliness that saved the other places from sordidness. The house, even
then, was thirty years old—a gray, weather-beaten frame box with a
mansard roof and a flat face staring out at the dense willows by the
roadside. It needed paint; the fences sagged; the window curtains were
awry. The parlour was damp, funereal. The old woman who tended the house
for Pervus slopped about all day with a pail and a wet gray rag. There
was always a crazy campanile of dirty dishes stacked on the table, and
the last meal seemed never to catch up with the next. About the whole
house there was a starkness, a bareness that proclaimed no woman who
loved it dwelt therein.
Selina told herself (and Pervus) that she would change all that. She saw
herself going about with a brush and a can of white paint, leaving
beauty in her wake, where ugliness had been.
Public-domain text, read in full here on John Shaqi.
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