Eloquence, like every other art, rests on laws the most exact and determinate. It is the best speech of the best soul. It may well stand as the exponent of all that is grand and immortal in the mind. If it do not so become an instrument, but aspires to be somewhat of itself, and to glitter for show, it is false and weak. In its right exercise, it is an elastic, unexhausted power,--who has sounded, who has estimated it?--expanding with the expansion of our interests and affections. Its great masters, whilst they valued every help to its attainment, and thought no pains too great which contributed in any manner to further it;--resembling the Arabian warrior of fame, who wore seventeen weapons in his belt, and in personal combat used them all occasionally;--yet subordinated all means; never permitted any talent--neither voice, rhythm, poetic power, anecdote, sarcasm--to appear for show; but were grave men, who preferred their integrity to their talent, and esteemed that object for which they toiled, whether the prosperity of their country, or the laws, or a reformation, or liberty of speech or of the press, or letters, or morals, as above the whole world, and themselves also. DOMESTIC LIFE. DOMESTIC LIFE. The perfection of the providence for childhood is easily acknowledged. The care which covers the seed of the tree under tough husks and stony cases provides for the human plant the mother’s breast and the father’s house. The size of the nestler is comic, and its tiny beseeching weakness is compensated perfectly by the happy patronizing look of the mother, who is a sort of high reposing Providence toward it. Welcome to the parents the puny struggler, strong in his weakness, his little arms more irresistible than the soldier’s, his lips touched with persuasion which Chatham and Pericles in manhood had not. His unaffected lamentations when he lifts up his voice on high, or, more beautiful, the sobbing child,--the face all liquid grief, as he tries to swallow his vexation,--soften all hearts to pity, and to mirthful and clamorous compassion. The small despot asks so little that all reason and all nature are on his side. His ignorance is more charming than all knowledge, and his little sins more bewitching than any virtue. His flesh is angels’ flesh, all alive. “Infancy,” said Coleridge, “presents body and spirit in unity: the body is all animated.” All day, between his three or four sleeps, he coos like a pigeon-house, sputters, and spurs, and puts on his faces of importance; and when he fasts, the little Pharisee fails not to sound his trumpet before him. By lamplight he delights in shadows on the wall; by daylight, in yellow and scarlet. Carry him out of doors,--he is overpowered by the light and by the extent of natural objects, and is silent. Then presently begins his use of his fingers, and he studies power, the lesson of his race. First it appears in no great harm, in architectural tastes.