Soliloquies in England, and Later SoliloquiesSantayana, George
Philosophy
Soliloquies in England, and Later Soliloquies
Santayana, George
American essays -- 20th century
inspiration, but it has largely shared the same vicissitudes; and in
each school of philosophy only the inventors and founders are of any
consequence; the rest are hacks. Moreover, if we take each school as
a whole, and compare it with the others, I think we may repeat the
same observation: the first are the best. Those following have made
very real improvements; they have discovered truths and methods before
unknown; but instead of adding these (as they might have done) to the
essential wisdom of their predecessors, they have proceeded like poets,
each a new-born child in a magic world, abandoned to his fancy and his
personal experience. Bent on some specific reform or wrapped up in some
favourite notion, they have denied the obvious because other people had
pointed it out; and the later we come down in the history of philosophy
the less important philosophy becomes, and the less true in fundamental
matters.
Suppose I arrange the works of the essential philosophers--leaving
out secondary and transitional systems--in a bookcase of four shelves;
on the top shelf (out of reach, since I can't read the language) I
will place the Indians; on the next the Greek naturalists; and to
remedy the unfortunate paucity of their remains, I will add here those
free inquirers of the renaissance, leading to Spinoza, who after two
thousand years picked up the thread of scientific speculation; and
besides, all modern science: so that this shelf will run over into
a whole library of what is not ordinarily called philosophy. On the
third shelf I will put Platonism, including Aristotle, the Fathers,
the Scholastics, and all honestly Christian theology; and on the last,
modern or subjective philosophy in its entirety. I will leave lying on
the table, as of doubtful destination, the works of my contemporaries.
There is much life in some of them. I like their water-colour sketches
of self-consciousness, their rebellious egotisms, their fervid reforms
of phraseology, their peep-holes through which some very small part of
things may be seen very clearly: they have lively wits, but they seem
to me like children playing blind-man's-buff; they are keenly excited
at not knowing where they are. They are really here, in the common
natural world, where there is nothing in particular to threaten or to
allure them; and they have only to remove their philosophical bandages
in order to perceive it.
Public-domain text, read in full here on John Shaqi.
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