Soliloquies in England, and Later SoliloquiesSantayana, George
Philosophy
Soliloquies in England, and Later Soliloquies
Santayana, George
American essays -- 20th century
but a dull ordinary Christian, and that it is foolish to give any
importance to the fact that its hat has blown off, that it has slipped
on an orange-peel and unintentionally sat on the pavement, that it
has a pimple on its nose, that its one tooth projects over its lower
lip, that it is angry with things in general, and that it is looking
everywhere for the penny which it holds tightly in its hand. That may
fairly represent the moral condition of most of us at most times; but
we do not want to think of it; we do not want to see; we gloss the
fact over; we console ourselves before we are grieved, and reassert
our composure before we have laughed. We are afraid, ashamed, anxious
to be spared. What displeases us in Dickens is that he does not spare
us; he mimics things to the full; he dilates and exhausts and repeats;
he wallows. He is too intent on the passing experience to look over
his shoulder, and consider whether we have not already understood, and
had enough. He is not thinking of us; he is obeying the impulse of the
passion, the person, or the story he is enacting. This faculty, which
renders him a consummate comedian, is just what alienated from him a
later generation in which people of taste were aesthetes and virtuous
people were higher snobs; they wanted a mincing art, and he gave them
copious improvization, they wanted analysis and development, and he
gave them absolute comedy. I must confess, though the fault is mine
and not his, that sometimes his absoluteness is too much for me. When
I come to the death of Little Nell, or to What the Waves were always
Saying, or even to the incorrigible perversities of the pretty Dora,
I skip. I can't take my liquor neat in such draughts, and my inner
man says to Dickens, Please don't. But then I am a coward in so many
ways! There are so many things in this world that I skip, as I skip
the undiluted Dickens! When I reach Dover on a rough day, I wait there
until the Channel is smoother; am I not travelling for pleasure? But
my prudence does not blind me to the admirable virtue of the sailors
that cross in all weathers, nor even to the automatic determination of
the sea-sick ladies, who might so easily have followed my example, if
they were not the slaves of their railway tickets and of their labelled
luggage. They are loyal to their tour, and I to my philosophy. Yet as
wrapped in my great-coat and sure of a good dinner, I pace the windy
pier and soliloquize, I feel the superiority of the bluff tar, glad of
breeze, stretching a firm arm to the unsteady passenger, and watching
with a masterful thrill of emotion the home cliffs receding and the
foreign coasts ahead. It is only courage (which Dickens had without
knowing it) and universal kindness (which he knew he had) that are
requisite to nerve us for a true vision of this world. And as some of
us are cowards about crossing the Channel, and others about "crossing
the bar," so almost everybody is a coward about his own humanity. We do
Public-domain text, read in full here on John Shaqi.
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