Solitude: With the Life of the Author. In Two PartsZimmermann, Johann Georg
Philosophy
Solitude: With the Life of the Author. In Two Parts
Zimmermann, Johann Georg
Solitude
Solitude encourages the disclosure of those sentiments and feelings which
the manners of the world compel us to conceal. The mind there unburthens
itself with ease and freedom. The pen, indeed, is not always taken up
because we are alone; but if we are inclined to write, we ought to be
alone. To cultivate philosophy, or court the muse with effect, the mind
must be free from all embarrassment. The incessant cries of children, or
the frequent intrusion of servants with messages of ceremony and cards
of compliment, distract attention. An author, whether walking in the
open air, seated in his closet, reclined under the shade of a spreading
tree, or stretched upon a sofa, must be free to follow all the impulses
of his mind, and indulge every bent and turn of his genius. To compose
with success, he must feel an irresistible inclination, and be able to
indulge his sentiments and emotions without obstacle or restraint. There
are, indeed, minds possessed of a divine inspiration, which is capable
of subduing every difficulty, and bearing down all opposition: and an
author should suspend his work until he feels this secret call within his
bosom, and watch for those propitious moments when the mind pours forth
its ideas with energy, and the heart feels the subject with increasing
warmth; for
“… Nature’s kindling breath
Must fire the chosen genius; Nature’s hand
Must string his nerves and imp his eagle wings
Impatient of the painful steep, to soar
High as the summit; there to breath at large
Ethereal air, with bards and sages old,
Immortal sons of praise.…”
Petrarch felt this sacred impulse when he tore himself from Avignon,
the most vicious and corrupted city of the age, to which the pope had
recently transferred the papal chair; and although still young, noble,
ardent, honored by his holiness, respected by princes, courted by
cardinals, he voluntarily quitted the splendid tumults of this brilliant
court, and retired to the celebrated solitude of Vaucluse, at the
distance of six leagues from Avignon, with only one servant to attend
him, and no other possession than an humble cottage and its surrounding
garden. Charmed with the natural beauties of this rural retreat, he
adorned it with an excellent library, and dwelt, for many years, in wise
tranquillity and rational repose, employing his leisure in completing
and polishing his works: and producing more original compositions during
this period than at any other of his life. But, although he here devoted
much time and attention to his writings, it was long before he could be
persuaded to make them public. Virgil calls the leisure he enjoyed at
Naples, ignoble and obscure; but it was during this leisure that he wrote
the Georgics, the most perfect of all his works, and which evince, in
almost every line, that he wrote for immortality.
Public-domain text, read in full here on John Shaqi.
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