American fiction -- 19th century; Short stories, American
The next morning she was off to the hills again, nor could I find her
for several days. Evidently in spite of my sympathy I was no more to her
than I should have been to a wounded fawn. She was a mixture of the
wild, shy creature of the woods and the deep-loving woman of the
tropics; in either case I could be but small comfort. When at last I did
see her, she was apathetic and dull; her feelings, her senses, and her
intelligence seemed to have gone within, as if preying upon her heart.
She scarcely listened to my proposal to take her with me; for in my pity
I had suggested it, in spite of its difficulties.
'No,' she said, mechanically, 'I'se better here'; and fell into silence
again.
* * * * *
A month later a friend went down to spend a few days in the valley, and
upon her return described to us the weddings of the whilom soldiers. 'It
was really a pretty sight,' she said, 'the quaint peasant dresses and
the flowers. Afterwards, the band went round the village playing their
odd tunes, and all had a holiday. There were two civilians married also;
I mean two young men who had not been to the war. It seems that two of
the soldiers turned their backs upon the Community and their allotted
brides, and marched away; but the Zoar maidens are not romantic, I
fancy, for these two deserted ones were betrothed again, and married,
all in the short space of four weeks.'
'Was not one Wilhelmina, the gardener's daughter, a short, dark girl?' I
asked.
'Yes.'
'And she married Jacob the baker?'
'Yes.'
* * * * *
The next year, weary of the cold lake-winds, we left the icy shore and
went down to the valley to meet the coming spring, finding her already
there, decked with vines and flowers. A new waitress brought us our
coffee.
'How is Wilhelmina?' I asked.
'Eh,--Wilhelmina? O, she not here now; she gone to the Next Country,'
answered the girl in a matter-of-fact way. 'She die last October, and
Jacob he have anoder wife now.'
In the late afternoon I asked a little girl to show me Wilhelmina's
grave in the quiet God's Acre on the hill. Innovation was creeping in,
even here; the later graves had mounds raised over them, and one had a
little head-board with an inscription in ink.
Wilhelmina lay apart, and some one, probably the old gardener, who had
loved her in his silent way, had planted a rose-bush at the head of the
mound. I dismissed my guide and sat there in the sunset, thinking of
many things, but chiefly of this: 'Why should this great wealth of love
have been allowed to waste itself? Why is it that the greatest of power,
unquestionably, of this mortal life should so often seem a useless
gift?'
Public-domain text, read in full here on John Shaqi.
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