England -- Social life and customs -- Fiction; World War, 1914-1918 -- Social aspects -- England -- Fiction
And yet . . . He had had passages when a sort of blind unreason had
attracted him almost to speechlessness towards girls of the most
giggling, behind-the-counter order, big-bosomed, scarlet-cheeked. It was
only Tietjens who had saved him from the most questionable
entanglements.
"Hang it," Tietjens would say, "don't get messing round that trollop.
All you could do with her would be to set her up in a tobacco shop, and
she would be tearing your beard out inside the quarter. Let alone you
can't afford it."
And Macmaster, who would have sentimentalised the plump girl to the tune
of _Highland Mary_, would for a day damn Tietjens up and down for a
coarse brute. But at the moment he thanked God for Tietjens. There he
sat, near to thirty, without an entanglement, a blemish on his health,
or a worry with regard to any woman.
With deep affection and concern he looked across at his brilliant
junior, who hadn't saved himself. Tietjens had fallen into the most
barefaced snare, into the cruellest snare, of the worst woman that could
be imagined.
And Macmaster suddenly realised that he wasn't wallowing, as he had
imagined that he would, in the sensuous current of his prose. He had
begun spiritedly with the first neat square of a paragraph. . . .
Certainly his publishers had done well by him in the matter of print:
"Whether we consider him as the imaginer of mysterious, sensuous and
exact plastic beauty; as the manipulator of sonorous, rolling and
full-mouthed lines; of words as full of colour as were his canvases; or
whether we regard him as the deep philosopher, elucidating and drawing
his illumination from the arcana of a mystic hardly greater than
himself, to Gabriel Charles Dante Rossetti, the subject of this little
monograph, must be accorded the name of one who has profoundly
influenced the outward aspects, the human contacts, and all those things
that go to make up the life of our higher civilisation as we live it
to-day. . . ."
Macmaster realised that he had only got thus far with his prose, and had
got thus far without any of the relish that he had expected, and that
then he had turned to the middle paragraph of page three--after the end
of his exordium. His eyes wandered desultorily along the line:
"The subject of these pages was born in the western central district of
the metropolis in the year . . ."
The words conveyed nothing to him at all. He understood that that was
because he hadn't got over that morning. He had looked up from his
coffee-cup--over the rim--and had taken in a blue-grey sheet of
notepaper in Tietjens' fingers, shaking, inscribed, in the large,
broad-nibbed writing of that detestable harridan. And Tietjens had been
staring--staring with the intentness of a maddened horse--at his,
Macmaster's, face! And grey! Shapeless! The nose like a pallid triangle
on a bladder of lard! That was Tietjens' face. . . .
Public-domain text, read in full here on John Shaqi.
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