Some eminent Victorians: Personal recollections in the world of art and letters — John Shaqi
Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
I have often thought that the youth of a later generation can hardly
realise the wealth of contemporary achievement that lay around those of
us who chanced to be born in that fortunate hour. However great, or
however greatly admired, may be the writers of a past day, they can
never speak with the quickened magic that a living master can command.
And what masters then stood there to win our worship! Tennyson in his
prime, and Browning, whose unexhausted energy had yet to give to the
world _The Ring and the Book_; Swinburne, whose new and intoxicating
music came like a voice from an undiscovered land of song; and Morris,
who in his _Defence of Guinevere_ had already found a key that was to
unlock a long-unused storehouse of legend and romance. And then, a
little later, Rossetti, mystic and passionate, whose brooding melodies
seemed to mirror in verse those “painted poems” that were wrought by his
brush; and in fiction, where Meredith had only lately arisen, there
still stood Dickens and Thackeray, George Eliot and the Brontës; and in
other fields of literature, Carlyle, Mill and Ruskin, Emerson and
Froude.
They were all our heroes then, and if Time has not left the place of all
unshaken, enough remain to form such a goodly company as no later hour
can boast. And this is so far acknowledged by the youth of a younger
generation that I find those of quickest appreciation in poetry and
fiction constantly tempted to steal my heroes and set them above their
own.
Already at school I had made acquaintance with the poems of Wordsworth,
a strange choice for a boy; and the circumstances of his life, and the
revolution which he partly headed, drew me quickly to others of the
group until all lesser admiration was finally merged in my worship of
Keats. It was only in later days that I brought myself to the study of
the poets of the intermediate time between the Elizabethans and the
close of the eighteenth century, and I will confess that even now I have
no great zest for them.
But turning aside for the moment from the things that already interested
me most, I remember being vividly impressed by some events that occurred
in the City during the period of my apprenticeship. The sudden
transition from private school to the Stock Exchange presented points of
interest that could not fail to attract a boy, even though his ambition
was otherwise engaged.
I was in the City in the year 1867, the year of the great financial
crisis which is associated with the name of Overend Gurney. The streets
and narrow lanes round about the Stock Exchange during that turbulent
time presented many picturesque sights, and within the Stock Exchange
itself were daily scenes of almost maddening excitement.
Public-domain text, read in full here on John Shaqi.
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