Some eminent Victorians: Personal recollections in the world of art and letters — John Shaqi
Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
Two pawky tradesmen of the district were pacing up and down the platform
in earnest talk, and as they passed me I caught this one sentence, torn
from its context:
“Should I outlive my wife, as I hope to do----” said the elder to the
younger, and then they passed out of hearing.
What was to follow on the realisation of this fond dream I have often
longed to know, but even as the statement stands I have always thought
it forms a notable monument to the caution and foresight of the race.
There are several picturesque sayings of the Highlanders that come back
to me as connected with these annual excursions. We had been staying for
a few days at the little inn at Luib, situated about five miles from
Loch Dochart, where we went daily to fish, and the gillie who used to
row us on the loch had many a pleasant story to tell of his working days
in the years when he had followed the calling of a shepherd.
I remember one evening, as we walked home with our faces turned to one
of those beautiful sunsets that I think are only to be seen in the
Highlands, he was telling us of a favourite sheep-dog that had been for
years his companion on the hills. But the time came when age unfitted
the poor animal for his work, and when the only kindness in the
shepherd’s eyes was to put an end to its life. And then he described how
he had tied it to an apple-tree and got his gun to shoot it.
“An’ I could scarce look at the beast,” he said, “as I fired, for I
loved him well and he had been sae wise.”
The tears rolled down his cheeks as he told the story, and we paused in
our talk as we trudged along the sun-lit road. Then out of the silence
came this further utterance:
“I buried him,” he faltered, “at the foot of the apple-tree”--and then
another pause, and then the final words--“an’ there would be a rare crop
of apples on the tree the year, for there’s naething for an apple-tree
like a dead dog.”
This anecdote has always seemed to me characteristic of the Highland
nature where poetry and prose lie closely side by side, and where the
simple mind that holds them both is quite unconscious of any shock of
feeling in the rapid transition from one to the other.
In this respect I think they show a close resemblance to the peasants of
Northern Italy, in whom there is this same frank avowal of swiftly
changing feeling; and neither in the one nor in the other does there
seem to occur the need, always felt by the Englishman, of forming a
bridge of sentiment from the world of fact to the world of passion.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account