Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
A great race are these Highland gillies, claiming and according equality
even in a calling in which they are very conscious of their superiority;
never lacking in courtesy, and yet yielding with a certain proud
independence all deference that is rightly due to the temporary relation
of master and servant. In their speech they are sometimes curiously
felicitous, and, using our English language as in a sense a strange
tongue, they sometimes exhibit, for that reason, a purity and delicacy
in the selection of words that a native can hardly command.
There was a very pretty phrase used by an old peasant at Killin with
whom I was chatting one evening outside his cottage door. A pretty girl
passed along on the other side of the road, and, wishing to be as
Scotch as I could in order to ingratiate myself with the old man, who
was vastly entertaining in his stories of the village, I said, “That’s a
bonny lassie!” to which he replied, “Ay, sir, she is, but I’m thinking
maybe she’s just bonnier than she’s better.” How much more delicate in
its inference, how much milder in its condemnation, than our crude
statement, “She’s no better than she should be!”
In those earlier times the “dry fly” as a lure for trout was scarcely
known, and even to this day it is regarded with undisguised scepticism
by the majority of Scotch gillies. It is not many years ago that I
astonished an expert in the older fashion by its successful application
on a little loch on the hills above Glenmuick, where I was staying with
Lord Glenesk. We had ridden for five or six miles to reach our
fishing-ground, and when we arrived it seemed as though we had come upon
a fruitless errand--there was not a ripple upon the water and not a rise
to be seen. The gillie who was with me scanned the surface of the lake
with a melancholy eye. Towards evening, however, the fish began to move,
and as sunset approached they were feeding eagerly. But the absence of
any breeze rendered casting with the wet fly a barren toil. It was then
that I drew from my case a large alder dressed as a floating fly. When I
showed it to the gillie his contempt was unconcealed. “What sort of an
animal might that be?” he inquired, and when I explained its uses to
him, he turned his face towards the sunset with a look of patient and
pitying toleration, merely remarking for my comfort that I “might just
as well throw my bonnet into the loch.” But his scorn quickly changed to
wonder as fish after fish was drawn to the bank, and when we parted at
the close of the day he somewhat sheepishly entreated me to leave him as
a legacy one or two specimens of those same “animals.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account