19. The Guardians of the Shrine, Omogwa and Otamelli
20. Burial scene in Amade Onhia shrine, Okehin
21. The Aroid which grows round about the great Amad’ongha shrine at
Ozozo
22. The shape, surrounded by skulls and draped with blood-stained
linen, which represents the earth goddess Ale in the shrine at Ewawfe
23. Obelli Oduaha Ibudu juju for granting many piccans
24. Ibudu in compound next to Chief Ababua’s, Omo Chuku
25. Headless Ibudu in Omo Alipo compound, Omo Chuku
26. Ibudu at Ogaminni, near Ndelle
27. Ite Uru Ibudu
28. Charm
29. Ibudu Nwa
30. Ibudu Nwa at Ale-Barada
31. Ibudu at Digiriga
32. Ibudu placed before the entrance to Omu Dara quarter of Akpani
33. Ibudu at Akpani
34. Eku at Umo Abale quarter of Omo Dioga
35. Pillars, carved tusks, and bronze torques. Kalabari shrine of
Awome-Ka-So
36. Patterns of the low Eki
37. Group of Eku, near ’Ndelle
38. The Wekwe Eruru
39. The ‘Servants of Ezum Mezum’
40. Clay figures at the base of a cotton tree near Elele
41. Figures at the base of a cotton tree, near Elele
42. The Eni Awsoku
43. Ife Ja Okko or Ife Ajokko at Ogu
44. Chief Eleche with his head wife, standing by the memorial pillar of
the late Head Priest of Aya-Eke
45. Wrestling to make the yams grow. Chief Eleche’s place, Elele
46. Ancestral tablet
47. Shrine of Ojuku juju at Woji
I
THE GREAT DRUM
The outbreak of war seemed a favourable opportunity for discontented
natives to throw off the restraints imposed by Government and return
to old customs, and disturbances occurred in various parts of Nigeria.
One of these took place in Aba District to the north-east of Degama.
We have since learned that the native name for this region is Aba-Ala,
_i.e._ Aba of the Earth Goddess Ale or Ala. Here two messengers
employed by the Native Courts were seized and dragged before the great
drum, described as from 18 to 20 feet in length, which stood in one of
the Juju houses. Later, reliable testimony declared this to have been
one of the principal shrines of the Earth Mother herself.
According to the account given us, the unfortunate victims were forced
to kneel at the end of the long, trough-like base, from the centre
of which the rounded portion of the drum was carved, and their heads
struck off so that they fell forward into the cavity. The drum was then
splashed with blood and the heads, still bearing the uniform caps,
were placed thereon amid the skulls of former victims as a defiance
to British rule, which, the insurgents hoped, was no longer powerful
enough to protect its servants.
Public-domain text, read in full here on John Shaqi.
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