Some Notes on Early Woodcut Books, with a Chapter on Illuminated ManuscriptsMorris, William
History
Some Notes on Early Woodcut Books, with a Chapter on Illuminated Manuscripts
Morris, William
Illumination of books and manuscripts; Illustrated books; Printing -- History
Now the reverse is the case with the books from which I have taken the
examples which you have been seeing. As things to be looked at they
are beautiful, taken as a whole; they are alive all over, and not
merely in a corner here and there. The illustrator has to share the
success and the failure, not only of the wood-cutter, who has
translated his drawing, but also of the printer and the mere
ornamentalist, and the result is that you have a book which is a
visible work of art.
You may say that you don't care for this result, that you wish to read
literature and to look at pictures; and that so long as the modern
book gives you these pleasures you ask no more of it; well, I can
understand that, but you must pardon me if I say that your interest in
books in that case is literary only, and not artistic, and that
implies, I think, a partial crippling of the faculties; a misfortune
which no one should be proud of.
However, it seems certain that there is growing up a taste for books
which are visible works of art, and that especially in this country,
where the printers, at their best, do now use letters much superior in
form to those in use elsewhere, and where a great deal of work
intending to ornament books reasonably is turned out; most of which,
however, is deficient in some respect; which, in fact, is seldom
satisfactory unless the whole page, picture, ornament, and type is
reproduced literally from the handiwork of the artist, as in some of
the beautiful works of Mr. Walter Crane. But this is a thing that can
rarely be done, and what we want, it seems to me, is, not that books
should sometimes be beautiful, but that they should generally be
beautiful; indeed, if they are not, it increases the difficulties of
those who would make them sometimes beautiful immensely. At any rate,
I claim that illustrated books should always be beautiful, unless,
perhaps, where the illustrations are present rather for the purpose of
giving information than for that of giving pleasure to the intellect
through the eye; but surely, even in this latter case, they should be
reasonably and decently good-looking.
Public-domain text, read in full here on John Shaqi.
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