Some Notes on Early Woodcut Books, with a Chapter on Illuminated ManuscriptsMorris, William
History
Some Notes on Early Woodcut Books, with a Chapter on Illuminated Manuscripts
Morris, William
Illumination of books and manuscripts; Illustrated books; Printing -- History
Well, how is this beauty to be obtained? It must be by the harmonious
coöperation of the craftsmen and artists who produce the book. First,
the paper should be good, which is a more important point than might
be thought, and one in which there is a most complete contrast between
the old and the modern books; for no bad paper was made till about the
middle of the sixteenth century, and the worst that was made even then
was far better than what is now considered good. Next, the type must
be good, a matter in which there is more room for excellence than
those may think who have not studied the forms of letters closely.
There are other matters, however, besides the mere form of the type
which are of much importance in the producing of a beautiful book,
which, however, I cannot go into tonight, as it is a little beside my
present subject. Then, the mere ornament must be good, and even very
good. I do not know anything more dispiriting than the mere platitudes
of printers' ornaments--trade ornaments. It is not uncommon now-a-days
to see handsome books quite spoiled by them--books in which plain,
unadorned letters would have been far more ornamental.
Then we come to the picture woodcuts. And here I feel I shall find
many of you differing from me strongly; for I am sure that such
illustrations as those excellent black and white pictures of Fred.
Walker could never make book ornaments. The artist, to produce these
satisfactorily, must exercise severe self-restraint, and must never
lose sight of the page of the book he is ornamenting. That ought to be
obvious to you, but I am afraid it will not be. I do not think any
artist will ever make a good book illustrator, unless he is keenly
alive to the value of a well-drawn line, crisp and clean, suggesting a
simple and beautiful silhouette. Anything which obscures this, and
just to the extent to which it does obscure it, takes away from the
fitness of the design as a book ornament. In this art vagueness is
quite inadmissible. It is better to be wrong than vague in making
designs which are meant to be book ornaments.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account