Some old masters of Greek architectureDouglas, Harry
History
Some old masters of Greek architecture
Douglas, Harry
Architecture -- Greece; Architecture, Greek
Vitruvius does not explain why it was that Dinocrates singled out the
curious costume, or rather lack of costume, which he did to attract the
attention of Alexander. It was, in fact, the garb of an athlete. Among
the early Greeks a professional athlete was regarded as a person of
social distinction, and if a particularly successful one, a personage
to whom a statue might be erected, or upon whom other honors might
be conferred. In fact, the uniform of an athlete was, as a rule, a
passport to the best society. Dinocrates undoubtedly knew this, and as
he was seeking an _entré_ into the very highest court circles, he took
not an extraordinary method of gaining it.
Mount Athos, which the architect proposed to take as a basis for
what was really to be a gigantic statue of Alexander himself, was a
pyramidal mountain, at the extreme end of the Acte peninsula, having an
altitude of 6780 feet, and crowned with a cap of white marble, which
Dinocrates undoubtedly had in mind to utilize for a helmet. The country
surrounding the mountain was remarkable for its rural beauty, its
woods and ravines, and its people for their longevity. No wonder that
Alexander did not wish to disturb this peaceful neighborhood.
Alexander Pope, who has given us an admirable rhymed translation of
the songs of Homer, seems to have been greatly impressed with the
practicability of this remarkable idea of Dinocrates. Spence, the
author of “Polymetis,” was once discussing the incident which Vitruvius
relates with Pope, remarking that he could not see how the Macedonian
architect could ever have carried his proposal into execution, when
Pope at once replied: “For my part, I have long since had an idea
how the thing might be done; and if anybody would make me a present
of a Welsh mountain and pay the workmen, I would undertake to see it
executed. I have quite formed it sometimes in my imagination: the
figure must be in a reclining posture, because of the hollowing that
would be necessary, and for the city’s being in one hand. It should be
a rude, unequal hill, and might be helped with groves of trees for the
eyebrows, and a wood for the hair. The natural green turf should be
left wherever it would be necessary to represent the ground he reclines
on. It should be contrived so that the true point of view should be at
a considerable distance. When you are near it, it should still have the
appearance of a rough mountain, but at a proper distance such a rising
should be the leg, and such another an arm. It would be best if there
were a river, or rather a lake, at the bottom of it, for the rivulet
that came through his other hand to tumble down the hill and discharge
itself into the sea.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account