American fiction -- 19th century; Short stories, American
SOME SHORT STORIES
BY HENRY JAMES
Contents:
Brooksmith
The Real Thing
The Story of It
Flickerbridge
Mrs. Medwin
BROOKSMITH
We are scattered now, the friends of the late Mr. Oliver Offord; but
whenever we chance to meet I think we are conscious of a certain
esoteric respect for each other. "Yes, you too have been in Arcadia," we
seem not too grumpily to allow. When I pass the house in Mansfield
Street I remember that Arcadia was there. I don't know who has it now,
and don't want to know; it's enough to be so sure that if I should ring
the bell there would be no such luck for me as that Brooksmith should
open the door. Mr. Offord, the most agreeable, the most attaching of
bachelors, was a retired diplomatist, living on his pension and on
something of his own over and above; a good deal confined, by his
infirmities, to his fireside and delighted to be found there any
afternoon in the year, from five o'clock on, by such visitors as
Brooksmith allowed to come up. Brooksmith was his butler and his most
intimate friend, to whom we all stood, or I should say sat, in the same
relation in which the subject of the sovereign finds himself to the
prime minister. By having been for years, in foreign lands, the most
delightful Englishman any one had ever known, Mr. Offord had in my
opinion rendered signal service to his country. But I suppose he had
been too much liked--liked even by those who didn't like IT--so that as
people of that sort never get titles or dotations for the horrid things
they've NOT done, his principal reward was simply that we went to see
him.
Oh we went perpetually, and it was not our fault if he was not
overwhelmed with this particular honour. Any visitor who came once came
again; to come merely once was a slight nobody, I'm sure, had ever put
upon him. His circle therefore was essentially composed of habitués, who
were habitués for each other as well as for him, as those of a happy
salon should be. I remember vividly every element of the place, down to
the intensely Londonish look of the grey opposite houses, in the gap of
the white curtains of the high windows, and the exact spot where, on a
particular afternoon, I put down my tea-cup for Brooksmith, lingering an
instant, to gather it up as if he were plucking a flower. Mr. Offord's
drawing-room was indeed Brooksmith's garden, his pruned and tended human
parterre, and if we all flourished there and grew well in our places it
was largely owing to his supervision.
Public-domain text, read in full here on John Shaqi.
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