American fiction -- 19th century; Short stories, American
Many persons have heard much, though most have doubtless seen little, of
the famous institution of the salon, and many are born to the depression
of knowing that this finest flower of social life refuses to bloom where
the English tongue is spoken. The explanation is usually that our women
have not the skill to cultivate it--the art to direct through a smiling
land, between suggestive shores, a sinuous stream of talk. My
affectionate, my pious memory of Mr. Offord contradicts this induction
only, I fear, more insidiously to confirm it. The sallow and slightly
smoked drawing-room in which he spent so large a portion of the last
years of his life certainly deserved the distinguished name; but on the
other hand it couldn't be said at all to owe its stamp to any
intervention throwing into relief the fact that there was no Mrs.
Offord. The dear man had indeed, at the most, been capable of one of
those sacrifices to which women are deemed peculiarly apt: he had
recognised--under the influence, in some degree, it is true, of physical
infirmity--that if you wish people to find you at home you must manage
not to be out. He had in short accepted the truth which many dabblers in
the social art are slow to learn, that you must really, as they say,
take a line, and that the only way as yet discovered of being at home is
to stay at home. Finally his own fireside had become a summary of his
habits. Why should he ever have left it?--since this would have been
leaving what was notoriously pleasantest in London, the compact charmed
cluster (thinning away indeed into casual couples) round the fine old
last-century chimney-piece which, with the exception of the remarkable
collection of miniatures, was the best thing the place contained. Mr.
Offord wasn't rich; he had nothing but his pension and the use for life
of the somewhat superannuated house.
Public-domain text, read in full here on John Shaqi.
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