American fiction -- 19th century; Short stories, American
When I'm reminded by some opposed discomfort of the present hour how
perfectly we were all handled there, I ask myself once more what had
been the secret of such perfection. One had taken it for granted at the
time, for anything that is supremely good produces more acceptance than
surprise. I felt we were all happy, but I didn't consider how our
happiness was managed. And yet there were questions to be asked,
questions that strike me as singularly obvious now that there's nobody
to answer them. Mr. Offord had solved the insoluble; he had, without
feminine help--save in the sense that ladies were dying to come to him
and that he saved the lives of several--established a salon; but I might
have guessed that there was a method in his madness, a law in his
success. He hadn't hit it off by a mere fluke. There was an art in it
all, and how was the art so hidden? Who indeed if it came to that was
the occult artist? Launching this inquiry the other day I had already
got hold of the tail of my reply. I was helped by the very wonder of
some of the conditions that came back to me--those that used to seem as
natural as sunshine in a fine climate.
How was it for instance that we never were a crowd, never either too
many or too few, always the right people WITH the right people--there
must really have been no wrong people at all--always coming and going,
never sticking fast nor overstaying, yet never popping in or out with an
indecorous familiarity? How was it that we all sat where we wanted and
moved when we wanted and met whom we wanted and escaped whom we wanted;
joining, according to the accident of inclination, the general circle or
falling in with a single talker on a convenient sofa? Why were all the
sofas so convenient, the accidents so happy, the talkers so ready, the
listeners so willing, the subjects presented to you in a rotation as
quickly foreordained as the courses at dinner? A dearth of topics would
have been as unheard of as a lapse in the service. These speculations
couldn't fail to lead me to the fundamental truth that Brooksmith had
been somehow at the bottom of the mystery. If he hadn't established the
salon at least he had carried it on. Brooksmith in short was the artist!
Public-domain text, read in full here on John Shaqi.
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