American fiction -- 19th century; Short stories, American
When Mrs. Monarch withdrew he passed across the room like a flash to
open the door for her, standing there with the rapt pure gaze of the
young Dante spellbound by the young Beatrice. As I never insisted, in
such situations, on the blankness of the British domestic, I reflected
that he had the making of a servant--and I needed one, but couldn't pay
him to be only that--as well as of a model; in short I resolved to adopt
my bright adventurer if he would agree to officiate in the double
capacity. He jumped at my offer, and in the event my rashness--for I had
really known nothing about him--wasn't brought home to me. He proved a
sympathetic though a desultory ministrant, and had in a wonderful degree
the SENTIMENT DE LA POSE. It was uncultivated, instinctive, a part of
the happy instinct that had guided him to my door and helped him to
spell out my name on the card nailed to it. He had had no other
introduction to me than a guess, from the shape of my high north window,
seen outside, that my place was a studio and that as a studio it would
contain an artist. He had wandered to England in search of fortune, like
other itinerants, and had embarked, with a partner and a small green
hand-cart, on the sale of penny ices. The ices had melted away and the
partner had dissolved in their train. My young man wore tight yellow
trousers with reddish stripes and his name was Oronte. He was sallow but
fair, and when I put him into some old clothes of my own he looked like
an Englishman. He was as good as Miss Churm, who could look, when
requested, like an Italian.
CHAPTER IV
I thought Mrs. Monarch's face slightly convulsed when, on her coming
back with her husband, she found Oronte installed. It was strange to
have to recognise in a scrap of a lazzarone a competitor to her
magnificent Major. It was she who scented danger first, for the Major
was anecdotically unconscious. But Oronte gave us tea, with a hundred
eager confusions--he had never been concerned in so queer a process--and
I think she thought better of me for having at last an "establishment."
They saw a couple of drawings that I had made of the establishment, and
Mrs. Monarch hinted that it never would have struck her he had sat for
them. "Now the drawings you make from US, they look exactly like us,"
she reminded me, smiling in triumph; and I recognised that this was
indeed just their defect. When I drew the Monarchs I couldn't anyhow get
away from them--get into the character I wanted to represent; and I
hadn't the least desire my model should be discoverable in my picture.
Miss Churm never was, and Mrs. Monarch thought I hid her, very properly,
because she was vulgar; whereas if she was lost it was only as the dead
who go to heaven are lost--in the gain of an angel the more.
Public-domain text, read in full here on John Shaqi.
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