American fiction -- 19th century; Short stories, American
By this time I had got a certain start with "Rutland Ramsay," the first
novel in the great projected series; that is I had produced a dozen
drawings, several with the help of the Major and his wife, and I had
sent them in for approval. My understanding with the publishers as I
have already hinted, had been that I was to be left to do my work, in
this particular case, as I liked, with the whole book committed to me;
but my connexion with the rest of the series was only contingent. There
were moments when, frankly, it WAS a comfort to have the real thing
under one's hand for there were characters in "Rutland Ramsay" that were
very much like it. There were people presumably as erect as the Major
and women of as good a fashion as Mrs. Monarch. There was a great deal
of country-house life-treated, it is true, in a fine fanciful ironical
generalised way--and there was a considerable implication of
knickerbockers and kilts. There were certain things I had to settle at
the outset; such things for instance as the exact appearance of the hero
and the particular bloom and figure of the heroine. The author of course
gave me a lead, but there was a margin for interpretation. I took the
Monarchs into my confidence, I told them frankly what I was about, I
mentioned my embarrassments and alternatives. "Oh take HIM!" Mrs.
Monarch murmured sweetly, looking at her husband; and "What could you
want better than my wife?" the Major inquired with the comfortable
candour that now prevailed between us.
I wasn't obliged to answer these remarks--I was only obliged to place my
sitters. I wasn't easy in mind, and I postponed a little timidly perhaps
the solving of my question. The book was a large canvas, the other
figures were numerous, and I worked off at first some of the episodes in
which the hero and the heroine were not concerned. When once I had set
THEM up I should have to stick to them--I couldn't make my young man
seven feet high in one place and five feet nine in another. I inclined
on the whole to the latter measurement, though the Major more than once
reminded me that he looked about as young as any one. It was indeed
quite possible to arrange him, for the figure, so that it would have
been difficult to detect his age. After the spontaneous Oronte had been
with me a month, and after I had given him to understand several times
over that his native exuberance would presently constitute an
insurmountable barrier to our further intercourse, I waked to a sense of
his heroic capacity. He was only five feet seven, but the remaining
inches were latent. I tried him almost secretly at first, for I was
really rather afraid of the judgement my other models would pass on such
a choice. If they regarded Miss Churm as little better than a snare what
would they think of the representation by a person so little the real
thing as an Italian street-vendor of a protagonist formed by a public
school?
Public-domain text, read in full here on John Shaqi.
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