American fiction -- 19th century; Short stories, American
Practically and inevitably, for the time, to companionship, to the
perpetual, the even exaggerated reference and appeal of a person brought
to dependence by his time of life and his infirmities and always
addicted moreover--this was the exaggeration--to the art of giving you
pleasure by letting you do things for him. There were certain things Mr.
Offord was capable of pretending he liked you to do even when he
didn't--this, I mean, if he thought YOU liked them. If it happened that
you didn't either--which was rare, yet might be--of course there were
cross-purposes; but Brooksmith was there to prevent their going very
far. This was precisely the way he acted as moderator; he averted
misunderstandings or cleared them up. He had been capable, strange as it
may appear, of acquiring for this purpose an insight into the French
tongue, which was often used at Mr. Offord's; for besides being habitual
to most of the foreigners, and they were many, who haunted the place or
arrived with letters--letters often requiring a little worried
consideration, of which Brooksmith always had cognisance--it had really
become the primary language of the master of the house. I don't know if
all the malentendus were in French, but almost all the explanations
were, and this didn't a bit prevent Brooksmith's following them. I know
Mr. Offord used to read passages to him from Montaigne and Saint-Simon,
for he read perpetually when alone--when THEY were alone, that is--and
Brooksmith was always about. Perhaps you'll say no wonder Mr. Offord's
butler regarded him as "rather mad." However, if I'm not sure what he
thought about Montaigne I'm convinced he admired Saint-Simon. A certain
feeling for letters must have rubbed off on him from the mere handling
of his master's books, which he was always carrying to and fro and
putting back in their places.
Public-domain text, read in full here on John Shaqi.
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