American fiction -- 19th century; Short stories, American
I often noticed that if an anecdote or a quotation, much more a lively
discussion, was going forward, he would, if busy with the fire or the
curtains, the lamp or the tea, find a pretext for remaining in the room
till the point should be reached. If his purpose was to catch it you
weren't discreet, you were in fact scarce human, to call him off, and I
shall never forget a look, a hard stony stare--I caught it in its
passage--which, one day when there were a good many people in the room,
he fastened upon the footman who was helping him in the service and who,
in an undertone, had asked him some irrelevant question. It was the only
manifestation of harshness I ever observed on Brooksmith's part, and I
at first wondered what was the matter. Then I became conscious that Mr.
Offord was relating a very curious anecdote, never before perhaps made
so public, and imparted to the narrator by an eye-witness of the fact,
bearing on Lord Byron's life in Italy. Nothing would induce me to
reproduce it here, but Brooksmith had been in danger of losing it. If I
ever should venture to reproduce it I shall feel how much I lose in not
having my fellow auditor to refer to.
The first day Mr Offord's door was closed was therefore a dark date in
contemporary history. It was raining hard and my umbrella was wet, but
Brooksmith received it from me exactly as if this were a preliminary for
going upstairs. I observed however that instead of putting it away he
held it poised and trickling over the rug, and I then became aware that
he was looking at me with deep acknowledging eyes--his air of universal
responsibility. I immediately understood--there was scarce need of
question and answer as they passed between us. When I took in that our
good friend had given up as never before, though only for the occasion,
I exclaimed dolefully: "What a difference it will make--and to how many
people!"
"I shall be one of them, sir!" said Brooksmith; and that was the
beginning of the end.
Public-domain text, read in full here on John Shaqi.
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