Literature, Medieval -- History and criticism; Literature, Medieval -- Translations into English
While through me for her loss new love and pity spread.
At length along the flowery award I saw
So sweet and fair a lady pensive move
That her mere thought inspires a tender awe;
Meek in herself, but haughty against Love,
Flow'd from her waist a robe so fair and fine
Seem'd gold and snow together there to join:
But, ah! each charm above
Was veil'd from sight in an unfriendly cloud:
Stung by a lurking shake, as flowers that pine
Her head she gently bow'd,
And joyful pass'd on high, perchance secure:
Alas I that in the world grief only should endure.
SONNET LXXXV. HE CONFESSES AND REGRETS HIS SINS, AND PRAYS GOD TO
SAVE HIM FROM ETERNAL DEATH.
Love held me one and twenty years enchain'd,
His flame was joy--for hope was in my grief!
For ten more years I wept without relief,
When Laura with my heart, to heaven attain'd.
Now weary grown, my life I had arraign'd
That in its error, check'd (to my belief)
Blest virtue's seeds-now, in my yellow leaf,
I grieve the mispent years, existence stain'd.
Alas! it might have sought a brighter goal,
In flying troublous thoughts, and winning peace;
O Father! I repentant seek thy throne:
Thou, in this temple hast enshrined my soul,
Oh, bless me yet, and grant its safe release!
Unjustified--my sin I humbly own.
--Wollaston.
SONNET XC. THE PLAINTIVE SONG OF A BIRD RECALLS HIS KEENER
SORROW.
Poor, solitary bird, that pour'st thy lay,
Or haply mournest the sweet season gone,
As chilly night and winter hurry on,
And daylight fades, and summer flies away!
If, as the cares that swell thy little throat,
Thou knew'st alike the woes that wound my rest.
O, thou wouldst house thee
In this kindred breast,
And mix with mine thy melancholy note!
Yet little know I ours are kindred ills:
She still may live the object of thy song:
Not so for me stern Death or Heaven wills!
But the sad reason, and less grateful hour,
And of past joy and sorrow thoughts that throng,
Prompt my full heart this idle lay to pour.
FROM THE DECAMERON.
The third great name in Italian mediaeval literature is that of
Giovanni Boccaccio. He was born in Paris in 1313, and died at
Certaldo in 1345. Like Dante and Petrarch he was a scholar and an
industrious writer. He wrote some important historical treatises,
and many poems, some of which attained some fame. But it is as a
writer of prose that he deserves the name he has. In Italy, as in
all other lands, there was in the Middle Ages a large body of
tales and fables in circulation. In Italy, during the thirteenth
and fourteenth centuries, these tales came into literature as
Novellas or novels. The Decamerone of Boccaccio is a collection
of a hundred such novels or tales. They are derived from many
sources, probably not more than three or four of them being
invented by Boccaccio. The tale we select is interesting as
furnishing the basis for one of Keats' beautiful romantic
ballads.
THE POT OF BASIL.
Public-domain text, read in full here on John Shaqi.
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