The original founder of Les Aigues was a younger son of the Soulanges family, enriched by marriage, whose chief ambition was to make his elder brother jealous,--a sentiment, by the bye, to which we owe the fairy-land of Isola Bella in the Lago Maggiore. In the middle ages the castle of Les Aigues stood on the banks of the Avonne. Of this old building nothing remains but the gateway, which has a porch like the entrance to a fortified town, flanked by two round towers with conical roofs. Above the arch of the porch are heavy stone courses, now draped with vegetation, showing three large windows with cross-bar sashes. A winding stairway in one of the towers leads to two chambers, and a kitchen occupies the other tower. The roof of the porch, of pointed shape like all old timber-work, is noticeable for two weathercocks perched at each end of a ridge-pole ornamented with fantastic iron-work. Many an important place cannot boast of so fine a town hall. On the outside of this gateway, the keystone of the arch still bears the arms of Soulanges, preserved by the hardness of the stone on which the chisel of the artist carved them, as follows: Azure, on a pale, argent, three pilgrim’s staff’s sable; a fess bronchant, gules, charged with four grosses patee, fitched, or; with the heraldic form of a shield awarded to younger sons. Blondet deciphered the motto, “Je soule agir,”--one of those puns that crusaders delighted to make upon their names, and which brings to mind a fine political maxim, which, as we shall see later, was unfortunately forgotten by Montcornet. The gate, which was opened for Blondet by a very pretty girl, was of time-worn wood clamped with iron. The keeper, wakened by the creaking of the hinges, put his nose out of the window and showed himself in his night-shirt. “So our keepers sleep till this time of day!” thought the Parisian, who thought himself very knowing in rural customs. After a walk of about quarter of an hour, he reached the sources of the river above Conches, where his ravished eyes beheld one of those landscapes that ought to be described, like the history of France, in a thousand volumes or in only one. We must here content ourselves with two paragraphs. A projecting rock, covered with dwarf trees and abraded at its base by the Avonne, to which circumstance it owes a slight resemblance to an enormous turtle lying across the river, forms an arch through which the eye takes in a little sheet of water, clear as a mirror, where the stream seems to sleep until it reaches in the distance a series of cascades falling among huge rocks, where little weeping willows with elastic motion sway back and forth to the flow of waters.