Beyond these cascades is the hillside, rising sheer, like a Rhine rock
clothed with moss and heather, gullied like it, again, by sharp ridges
of schist and mica sending down, here and there, white foaming rivulets
to which a little meadow, always watered and always green, serves as a
cup; farther on, beyond the picturesque chaos and in contrast to this
wild, solitary nature, the gardens of Conches are seen, with the village
roofs and the clock-tower and the outlying fields.
There are the two paragraphs, but the rising sun, the purity of the air,
the dewy sheen, the melody of woods and waters--imagine them!
“Almost as charming as at the Opera,” thought Blondet, making his way
along the banks of the unnavigable portion of the Avonne, whose caprices
contrast with the straight and deep and silent stream of the lower
river, flowing between the tall trees of the forest of Les Aigues.
Blondet did not proceed far on his morning walk, for he was presently
brought to a stand-still by the sight of a peasant,--one of those who,
in this drama, are supernumeraries so essential to its action that it
may be doubted whether they are not in fact its leading actors.
When the clever journalist reached a group of rocks where the main
stream is imprisoned, as it were, between two portals, he saw a man
standing so motionless as to excite his curiosity, while the clothes and
general air of this living statue greatly puzzled him.
The humble personage before him was a living presentment of the old
men dear to Charlet’s pencil; resembling the troopers of that Homer of
soldiery in a strong frame able to endure hardship, and his immortal
skirmishers in a fiery, crimson, knotted face, showing small capacity
for submission. A coarse felt hat, the brim of which was held to the
crown by stitches, protected a nearly bald head from the weather; below
it fell a quantity of white hair which a painter would gladly have paid
four francs an hour to copy,--a dazzling mass of snow, worn like that
in all the classical representations of Deity. It was easy to guess from
the way in which the cheeks sank in, continuing the lines of the mouth,
that the toothless old fellow was more given to the bottle than the
trencher. His thin white beard gave a threatening expression to his
profile by the stiffness of its short bristles. The eyes, too small for
his enormous face, and sloping like those of a pig, betrayed cunning and
also laziness; but at this particular moment they were gleaming with the
intent look he cast upon the river. The sole garments of this curious
figure were an old blouse, formerly blue, and trousers of the coarse
burlap used in Paris to wrap bales. All city people would have shuddered
at the sight of his broken sabots, without even a wisp of straw to stop
the cracks; and it is very certain that the blouse and the trousers had
no money value at all except to a paper-maker.
Public-domain text, read in full here on John Shaqi.
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