Æsop's Fables, Embellished with One Hundred and Eleven Emblematical Devices.Aesop
General
Æsop's Fables, Embellished with One Hundred and Eleven Emblematical Devices.
Aesop
Children's stories; Conduct of life -- Juvenile fiction; Fables
and, by the help of a bright invention, connected and worked them up
with success; we might have swallowed such an imposition well enough,
because we should not have known how to contradict it: but in Planudes'
case, the imposture is doubly discovered; first, as he has the
unquestioned authority of antiquity against him; secondly, (and if the
other did not condemn him) as he has introduced the witty, discreet,
judicious Æsop, quibbling in a strain of low monastic waggery, and as
archly dull as a Mountebank's Jester.
[1] _Arist. Rhet._ Lib. ii. chap. 21.
That there was a Life of Æsop, either written or traditionary, before
Aristotle's time, is pretty plain; and that there was something of that
kind extant in Augustus' reign, is, I think, as undoubted; since Phædrus
mentions many transactions of his, during his abode at Athens. But it is
as certain, that Planudes met with nothing of this kind; or, at least,
that he met not with the accounts with which they were furnished,
because of the omissions before-mentioned; and consequently with none so
authentic and good. He seems to have thrown together some merry conceits
which occurred to him in the course of his reading, such as he thought
were worthy of Æsop, and very confidently obtrudes them upon us for his.
But, when at last he brings him to Delphos (where he was put to death by
being thrown down from a precipice) that the Delphians might have some
colour of justice for what they intended to do, he favours them with the
same stratagem which Joseph made use of to bring back his brother
Benjamin; they clandestinely convey a cup into his baggage, overtake him
upon the road, after a strict search find him guilty; upon that pretence
carry him back to the city, condemn and execute him.
As I would neither impose upon others, nor be imposed upon, I cannot, as
some have done, let such stuff as this pass for the Life of the great
Æsop. Planudes has little authority for any thing he has delivered
concerning him; nay, as far as I can find, his whole account, from the
beginning to the end, is mere invention, excepting some few
circumstances; such as the place of his birth, and of his death; for in
respect of the time in which he lived, he has blundered egregiously, by
mentioning some incidents as contemporary with Æsop, which were far
enough from being so. Xanthus, his supposed master, puts his wife into a
passion, by bringing such a piece of deformity into her house, as our
Author is described to be. Upon this, the master reproaches the slave
for not uttering something witty, at a time that seemed to require it so
much: and then Æsop comes out, slap dash, with a satirical reflection
upon women, taken from Euripides, the famous Greek tragedian. Now
Euripides happened not to be born till about fourscore years after
Æsop's death. What credit, therefore, can be given to any thing Planudes
says of him?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account