The play was tradition, they avowed. Tradition must be upheld. And what
more? It savoured of heresy to suggest that the Mother of God was blind
to anything that happened on earth. Doubtless She saw this particular
scene; doubtless She approved; doubtless She smiled, like everyone
else. She loved her people in true motherly fashion. She was not born
in the Central Provinces. She was fond of children, whether they wore
clothes or not. The players enjoyed themselves. So did the audience.
The Mother of God liked them to make a cheerful show in honour of that
good old man, the Patron Saint. And Saint Dodekanus himself--what would
he think, if this ancient act of homage were withheld? He would be very
angry. He would send an earthquake, or a visitation of the cholera, or
a shower of ashes from the volcano across the water. Piety and prudence
alike counselled them to keep in his good graces. And what more? The
performance had been established by the Good Duke; and that endless
line of godly bishops, succeeding each other since his day, would never
have given their sanction to the costumes and the acting had they not
known that the Madonna approved of them. Why should She now think
differently? The Mother of God was not a fickle earthly creature, to
change Her mind from one day to the next.
With arguments such as these they endeavoured to controvert the PARROCO
who, being a fighter to the death, a resourceful ascetic of unbending
will, never admitted defeat. He bethought him of other shifts. On one
celebrated occasion he actually induced the bishop--tired as the old
prelate was, after his morning's ride on the white donkey--to attend the
performance, hoping to obtain from him some confirmation of his own
view, that the objectionable scene should be entirely remodelled or,
better still, cut out altogether. The reverend dignitary was supposed
to be extremely short-sighted and wandering, moreover, in his mind,
from sheer decrepitude. Perhaps he was wily beyond the common measure
of man. Be that as it may, he witnessed the spectacle but allowed
nothing to escape his lips safe a succession of soft purring sound
resembling:
Gu-gu-gu-gu-gu-gu-gu-gu-gu-,
An ambiguous utterance, which was construed by both parties as a
verdict in their favour.
Mr. Heard, while conceding that the acting was good--first rate, in
fact--could not make up his mind whether to be shocked or pleased. He
wondered whether such a play had any features in common with religion.
His host, who stood for paganism and nudity and laughter, convinced him
that it had.
"You would have seen the same thing in pre-Puritan England," he
concluded, at the end of a long exposition. "And now, if you like, we
will have a look at that Club. It may amuse you. There is still time
for the Duchess."
CHAPTER V
"This is the place," said Mr. Keith.
Public-domain text, read in full here on John Shaqi.
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