Spanish Arms and Armour: Being a Historical and Descriptive Account of the Royal Armoury of MadridCalvert, Albert Frederick
History
Spanish Arms and Armour: Being a Historical and Descriptive Account of the Royal Armoury of Madrid
Calvert, Albert Frederick
Arms and armor -- Spain; Real Armería de Madrid
One Aragonese knight having been killed,
and several champions seriously wounded, among them Suero de Quiñones
himself, the latter was adjudged to have fulfilled his vow, and to have
honourably discharged his duty to his lady. This memorable contest was
considered to have reflected immortal lustre on Castilian arms, and King
Juan no doubt felt prouder of himself, his knights, and his kingdom than
if he had driven the Moors from Spain. The Honroso Paso de Don Suero de
Quiñones is set forth in minute detail in a special chronicle, and is
frequently and lovingly referred to in Spanish history.
Stimulated by such public displays of prowess and knightly address, and
despite severe sumptuary laws, armour and military gear became more
ornate and costly every year. In the chronicle of Don Alvaro de Luna, in
the account of the battle of Olmedo in 1445, we read:
“So long had the wars in Castile lasted, that the greatest study of
everyone was to have his armour well decorated and his horses well
chosen; so much so that it would scarcely have been possible in all the
Constable’s host to find one whose horse had no covering, or the neck of
whose horse was without steel mail. Thus all those noble young gentlemen
of the Constable’s house, and many others, were very richly adorned.
Some had different devices painted on the coverings of their horses, and
others jewels from their ladies on their helmet-crests. Others had gold
and silver bells, with stout chains hanging to their horses’ necks.
Others had badges studded with pearls or costly stones around the
crests. Others carried small shields, richly embellished, on which were
strange figures and inventions. Many different things were put on the
helmet-crests, for some had insignia of wild beasts, others plumes of
various colours, and others had plumes both on their helmet-crests and
on the face-covering of their horses. Some horsemen had feathers that
spread like wings against their shoulders; some affected simple armour;
others wore plated coats over the cuirass; others rich embroidered
tunics.”
The increased popularity of tilting and similar martial exercises
brought about a demand for heavy reinforcing pieces of armour, such as
could not be worn habitually except by men of the strongest physique, in
the field. Henceforward we find a distinction made between war harness
and tilting harness. As a specimen of the latter, belonging to the time
of which I am now speaking (middle fifteenth century), we have in the
Royal Armoury, a Spanish tilting breast-plate (E59), thus described in
the 1898 Catalogue:
Public-domain text, read in full here on John Shaqi.
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