Spanish Arms and Armour: Being a Historical and Descriptive Account of the Royal Armoury of MadridCalvert, Albert Frederick
History
Spanish Arms and Armour: Being a Historical and Descriptive Account of the Royal Armoury of Madrid
Calvert, Albert Frederick
Arms and armor -- Spain; Real Armería de Madrid
“Spanish tilting Breastplate, middle fifteenth century, composed of
breastplate and over-breastplate, screwed together. The breastplate,
tin-plated to avoid oxidation, preserves the nails of the brocade with
which it was covered. The over-breastplate was also called ‘the
volant’--a defence much used in tilts in the fifteenth and sixteenth
centuries. It was strengthened with iron, as stated in the description
of the honourable passage of Don Suero de Quiñones. It is doubtful if
this second piece was also covered with rich cloth, like others of a
later period; it has its original hollow lance-rest, for tilt, fastened
with a bolt and four staples. It has also a piece of iron, which we call
_flaon_, used as a wedge between the shield and the breastplate, and
forming a resisting whole against the adversary’s lance. This _flaon_,
the only iron one we have seen, serves also to fasten the helm to the
breast”--in the manner shown on the piece A16. [The _flaon_ was nearly
always of wood.]
The headpiece was correspondingly strengthened. Referring more
particularly to the tilting helm that forms part of the suit (A16)
belonging to Felipe I. of Castile (1478-1506), from which the casque
worn by Don Suero probably did not differ, the Conde de Valencia says:
“The tilting helm, or round closed _almete_, as it was called, appeared
at the end of the fourteenth century, and continued in use, with slight
modifications in each country, until the beginning of the sixteenth.
Designed to resist the impact of a lance in front, the part around the
vizor, or the horizontal opening between the crest and the face, was
strengthened, attaining a thickness of nine millimetres in some places;
in others, as the sides and occiput or back of the helmet, it gradually
diminishes. Its vertical and almost cylindrical length, is such that it
might rest on the shoulders, so that, fastened to the breastplate by the
hinge, and to the backplate by a strong strap, it might protect the
tilter’s head without inconveniencing his movements. In certain tilts,
this resource was insufficient against the violence of a lance-thrust at
full gallop of two horses going in an opposite direction, and then the
horsemen protected the head with a stiffened cap, which in German was
called _harnisch kappe_.”
The armet, the most graceful form of steel headpiece, also seems to have
been introduced into Spain about the middle of the fifteenth century. A
fresco in the Escorial, copied from a painting of the first half of that
century, representing the battle of Higueruela, depicts men-at-arms
wearing this species of helmet. It superseded the bascinet for use in
war, and will be described further on in these pages.
Public-domain text, read in full here on John Shaqi.
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