Special Method in the Reading of Complete English Classics: In the Grades of the Common SchoolMcMurry, Charles A. (Charles Alexander)
General
Special Method in the Reading of Complete English Classics: In the Grades of the Common School
McMurry, Charles A. (Charles Alexander)
American literature -- Study and teaching; English literature -- Study and teaching
"You know I said of that great and pure society of the dead, that it
would allow 'no vain or vulgar person to enter there.' What do you
think I meant by a 'vulgar' person? What do you yourselves mean by
'vulgarity'? You will find it a fruitful subject of thought; but,
briefly, the essence of all vulgarity lies in want of sensation. Simple
and innocent vulgarity is merely an untrained and undeveloped bluntness
of body and mind; but in true inbred vulgarity, there is a deathful
callousness, which, in extremity, becomes capable of every sort of
bestial habit and crime, without fear, without pleasure, without horror,
and without pity. It is in the blunt hand and the dead heart, in the
diseased habit, in the hardened conscience, that men become vulgar; they
are forever vulgar, precisely in proportion as they are incapable of
sympathy,--of quick understanding,--of all that, in deep insistence on
the common, but most accurate term, may be called the 'tact' or
touch-faculty of body and soul; that tact which the Mimosa has in trees,
which the pure woman has above all creatures,--fineness and fulness of
sensation, beyond reason,--the guide and sanctifier of reason itself.
Reason can but determine what is true: it is the God-given passion of
humanity which alone can recognize what God has made good.
"We come then to the great concourse of the Dead, not merely to know
from them what is True, but chiefly to feel with them, what is
Righteous. Now to feel with them we must be like them; and none of us
can become that without pains. As the true knowledge is disciplined and
tested knowledge,--not the first thought that comes,--so the true
passion is disciplined and tested passion,--not the first passion that
comes."
When we add to this deep feeling and sympathy the versatile poetic
imagination which freely constructs all phases of social life and
conduct, we have that union of the great powers of the mind and heart
which give such concentrated ethical energy to the best literature.
Shelley, in his "Defence of Poetry" (pp. 13-14, 20), says:--
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