Specimens of Greek Tragedy — Aeschylus and SophoclesSophocles
General
Specimens of Greek Tragedy — Aeschylus and Sophocles
Sophocles
Greek drama (Tragedy) -- Translations into English
Ulysses explains the Plan of Action to Neoptolemus, and labours to
bend him to his Purpose. Lines 1-134
Neoptolemus having filched the Bow of Philoctetes, Philoctetes prays
him to restore it. Lines 927-962
AESCHYLUS
PROMETHEUS BOUND.
Prometheus, the good Titan, has been raising mankind from the
condition of primeval brutes by teaching them the arts of
civilisation. At last he steals fire from heaven for their use.
By this he incurs the wrath of Zeus, who, having deposed his
father Chronos, has become king of the gods. As a punishment
Prometheus is condemned by Zeus to be chained to a rock in the
Caucasus, with an eagle always feeding on his breast. But Prometheus
knows the secret of a mysterious marriage which is destined in time to
take place, and by the offspring of which Zeus in his turn is to be
dethroned. Strong in his consciousness of this, he defies Zeus, who by
the agency of Hermes tries in vain to wrest the secret from him. The
persons of the drama, besides Prometheus, are Hephaestus, better known
by his Latin name of Vulcan, Might and Force personified, Hermes the
messenger of Heaven, and the wandering Io. The chorus consists of sea-
nymphs, who sympathise with the suffering Prometheus. This drama is a
sublime enigma. Aeschylus was conservative and deeply religious. How
could he write a play the hero of which is a benefactor of man
struggling against the tyranny of the king of the gods, and the sequel
of which found a fit and congenial composer in Shelley, whose
sentiment and manner the "Prometheus Bound" wonderfully anticipates
and perhaps helped to form? Again, how could the Athenians, in an age
when their piety had not yet given way to scepticism, have endured
such dramatic treatment of the chief of the gods? It is almost as if a
Mystery Play had been presented in the Middle Ages with Satan for the
hero and the First Person of the Trinity in the character of an
oppressor. Perhaps the position of Zeus in the drama as a usurper may,
in some degree, have softened the religious effect.
* * * * *
Prometheus is brought in by the Spirits of Might and Force,
Hephaestus accompanying them.
LINES 1-113.
SCENE: _The Caucasus_.
MIGHT.
Unto earth's utmost boundary we have come,
To Scythia's realm, th' untrodden wilderness.
Hephaestus, now it is thy part to do
The Almighty Father's bidding, and to bind
This arch-deceiver to yon lowering cliff
With bonds of everlasting adamant.
Thy attribute, all-fabricating fire,
He stole and gave to man. Such is the crime
For which he pays the penalty to Heaven,
That he may learn henceforth meekly to bear
The rule of Zeus and less befriend mankind.
HEPHAESTUS.
Public-domain text, read in full here on John Shaqi.
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