Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that workChambers, Robert
General
Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that work
Chambers, Robert
English literature -- Scottish authors
The taking of a shop, whether to set up a new business or translate
an old one, is always a matter of deep and anxious concernment. On
such an occasion, one generally gets into a state of fidgetiness and
perplexity, which is felt to be far from disagreeable. A sentiment of
unwonted enterprise rises in his mind. He is going, he thinks, to do
a great thing—at least something beyond the usual range of commercial
existence. In the first place, he pays a few sly and solitary visits
to the place—not that he goes in to look about him—no, no; he is
not for some time up to that point. He tries first how the premises
look when simply walked past as if by an unconcerned passenger. As
he passes, he casts an affectedly careless glance at the door and
windows, taking care, however, to receive as deep an impression as
possible of the whole bearing and deportment of the place. After
walking to a sufficient distance, he turns and walks back, and sees
how it looks when approached from a different point of the compass.
Then he takes a turn along the other side of the street, or perhaps,
if afraid to excite observation (and if the place be in Edinburgh),
goes up a common stair, and takes a deliberate and secure observation
from a window. His feeling is almost exactly the same as that of a
lover making observations of a mistress, whose figure he wishes to
ascertain before getting too deeply in love with her to put correct
judgment out of the question. As, in the one case, stature is perhaps
considered, complexion and outline of face duly weighed, and possibly
some very modest inquiries instituted as to what Master Slender calls
“possibilities,” so, in the other, does the shop-inspector consider
all the particulars of the aspect and likelihood of the contemplated
premises. Shops, it must be understood, have characters, exactly like
human beings. Some have an open, generous, promising countenance,
while others have a contracted, sinister, louring expression of phiz,
according to the quantity of mason-work there may be in front. Some
are of a far more _accessible_ character than others, with a kind
of _facilis descensus_ in the entry that is in the highest degree
favourable to custom. People can hardly avoid falling into such shops
as they pass along the streets, for positively they gape like so many
Scyllas for your reception, and goodwives, who, like Roderigo, have put
money in their purses, are caught like so many rats without thinking
of it. There are others, I grieve to say, with such a difficulty of
entrance, either from a narrow door, a shut door, an elevation of the
pavement, or a certain distance from the thoroughfare, that it requires
an absolute determination to purchase such and such articles in such
and such shops—a full _animus emendi_, as lawyers would say—to overcome
the obstacle. Perhaps it does not matter for some businesses, which are
not much overrun with competition, that they should be carried on in
shops of this kind.
Public-domain text, read in full here on John Shaqi.
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