Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
'On Monday night,' said Esther.
'You don't mean it!' said her mother.
'Indeed I mean it,' said Esther, 'and I've got my part. I'm to be the
servant in "The Wages of Sin."'
Her brother laughed. 'I know,' he said, 'she speaks two words twice.'
'You are right,' said Esther; 'will you come on Monday, and hear how I
say them?'
When Esther had made up her mind to do anything, they all knew that she
always did it. Her father talked to her seriously. Her mother said: 'You
are much too lazy, Esther; you will never get on.' They told her that
she was taking the bread out of their mouths, and it was certain she
would never put it back again. 'If I get on,' said Esther, 'I will pay
you back exactly what I would have earned, as long as you keep me. Is
that a bargain? I know I shall get on, and you won't repent of it. You
had better let me do as I want. It will pay.'
They shook their heads, looked at Esther, who sat there with her lips
tight shut, and a queer, hard look in her eyes, which were trying not to
seem exultant; they looked at one another, shook their heads again, and
consented. The old grandmother mumbled something fiercely, but as it
sounded like bad words, and they never knew what Old Testament language
she would use, they did not ask her what she was meaning.
On Monday Esther made her first appearance on the stage. Her mother
said to her afterwards: 'I thought nothing of you, Esther; you were just
like any ordinary servant.' Becky asked her if she had felt nervous. She
shook her head; it had seemed quite natural to her, she said. She did
not tell them that a great wave of triumph had swept over her as she
felt the heat of the gas footlights come up into her eyes, and saw the
floating cluster of white faces rising out of a solid mass of
indistinguishable darkness. In that moment she drew into her nostrils
the breath of life.
Esther had a small part to understudy, and before long she had the
chance of playing it. The manager said nothing to her, but soon
afterwards he told her to understudy a more important part. She never
had the chance to play it, but, when the next piece was put on at the
theatre, she was given a part of her own. She began to make a little
money, and, as she had promised, she paid so much a week to her parents
for keeping her. They gained by the bargain, so they did not ask her to
come back to the stitching. Mrs. Kahn sometimes spoke of her daughter to
the neighbours with a certain languid pride; Esther was making her way.
Public-domain text, read in full here on John Shaqi.
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