Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
Esther made her way rapidly. One day the manager of a West End theatre
came down to see her; he engaged her at once to play a small but
difficult part in an ambitious kind of melodrama that he was bringing
out. She did it well, satisfied the manager, was given a better part,
did that well, too, was engaged by another manager, and, in short, began
to be looked upon as a promising actress. The papers praised her with
moderation; some of the younger critics, who admired her type, praised
her more than she deserved. She was making money; she had come to live
in rooms of her own, off the Strand; at twenty-one she had done, in a
measure, what she wanted to do; but she was not satisfied with herself.
She had always known that she could act, but how well could she act?
Would she never be able to act any better than this? She had drifted
into the life of the stage as naturally as if she had never known
anything else; she was at home, comfortable, able to do what many others
could not do. But she wanted to be a great actress.
An old actor, a Jew, Nathan Quellen, who had taken a kind of paternal
interest in her, and who helped her with all the good advice that he had
never taken to himself, was fond of saying that the remedy was in her
own hands.
'My dear Esther,' he would tell her, smoothing his long grey hair down
over his forehead, 'you must take a lover; you must fall in love;
there's no other way. You think you can act, and you have never felt
anything worse than a cut finger. Why, it's an absurdity! Wait till you
know the only thing worth knowing; till then you're in short frocks and
a pinafore.'
He cited examples, he condensed the biographies of the great actresses
for her benefit. He found one lesson in them all, and he was sincere in
his reading of history as he saw it. He talked, argued, protested; the
matter seriously troubled him. He felt he was giving Esther good advice;
he wanted her to be the thing she wanted to be. Esther knew it and
thanked him, without smiling; she sat brooding over his words; she never
argued against them. She believed much of what he said; but was the
remedy, as he said, in her own hands? It did not seem so.
As yet no man had spoken to her blood. She had the sluggish blood of a
really profound animal nature. She saw men calmly, as calmly as when
little Joel had cried because she would not marry him. Joel still came
to see her sometimes, with the same entreaty in his eyes, not daring to
speak it. Other men, very different men, had made love to her in very
different ways. They had seemed to be trying to drive a hard bargain, to
get the better of her in a matter of business; and her native cunning
had kept her easily on the better side of the bargain. She was resolved
to be a business woman in the old trade of the affections; no one should
buy or sell of her except at her own price, and she set the price vastly
high.
Public-domain text, read in full here on John Shaqi.
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