Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
Yet Quellen's words set her thinking. Was there, after all, but one way
to study for the stage? All the examples pointed to it, and, what was
worse, she felt it might be true. She saw exactly where her acting
stopped short.
She looked around her with practical eyes, not seeming to herself to be
doing anything unusual or unlikely to succeed in its purpose. She
thought deliberately over all the men she knew; but who was there whom
it would be possible to take seriously? She could think of only one man:
Philip Haygarth.
Philip Haygarth was a man of five-and-thirty, who had been writing plays
and having them acted, with only a moderate success, for nearly ten
years. He was one of the accepted men, a man whose plays were treated
respectfully, and he had the reputation of being much cleverer than his
plays. He was short, dark, neat, very worldly-looking, with thin lips
and reflective, not quite honest eyes. His manner was cold, restrained,
with a mingling of insolence and diffidence. He was a hard worker and a
somewhat deliberately hard liver. He avoided society and preferred to
find his relaxation among people with whom one did not need to keep up
appearances, or talk sentiment, or pay afternoon calls. He admired
Esther Kahn as an actress, though with many reservations; and he admired
her as a woman, more than he had ever admired anybody else. She appealed
to all his tastes; she ended by absorbing almost the whole of those
interests and those hours which he set apart, in his carefully arranged
life, for such matters.
He made love to Esther much more skilfully than any of her other lovers,
and, though she saw through his plans as clearly as he wished her to see
through them, she was grateful to him for a certain finesse in his
manner of approach. He never mentioned the word 'love,' except to jest
at it; he concealed even the extent to which he was really disturbed by
her presence; his words spoke only of friendship and of general topics.
And yet there could never be any doubt as to his meaning; his whole
attitude was a patient waiting. He interested her; frankly, he
interested her: here, then, was the man for her purpose. With his
admirable tact, he spared her the least difficulty in making her
meaning clear. He congratulated himself on a prize; she congratulated
herself on the accomplishment of a duty.
Days and weeks passed, and Esther scrutinised herself with a distinct
sense of disappointment. She had no moral feeling in the matter; she was
her own property, it had always seemed to her, free to dispose of as she
pleased. The business element in her nature persisted. This bargain,
this infinitely important bargain, had been concluded, with open eyes,
with a full sense of responsibility, for a purpose, the purpose for
which she lived. What was the result?
Public-domain text, read in full here on John Shaqi.
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