Stained Glass Windows: An Essay: With a Report to the Vestry on Stained Glass Windows for Grace Church Lockport New YorkFaber, William Frederic
Religion
Stained Glass Windows: An Essay: With a Report to the Vestry on Stained Glass Windows for Grace Church Lockport New York
Faber, William Frederic
Glass painting and staining; Grace Episcopal Church (Lockport, N.Y.)
Grace Church,[B] Lockport, is an edifice which though not striking or
ornate, is in point of architectural merit, of conspicuous importance
in the community, in probable permanence and enduring interest second
to none in our city. Erected more than forty years ago, of stone, its
interior chastely beautified and enriched at successive periods; its
nave alone over one hundred feet long, forty-six feet wide, fifty
feet high; its lofty chancel with a window twenty-two feet in height,
nearly ten feet in width: it impresses the educated eye on entering
it as beautiful and churchly, characterized by simple grace and
reverent dignity, and the exclusion of the tawdry and incongruous. We
may honestly admit some faults. What building, religious or other,
is without them? But it is a church which grows upon us the longer
we worship in it; it becomes homelike to us, and yet excites our
admiration the more as we become better acquainted with it.
[B] The design was one of Richard Upjohn’s.
This is the building which is committed to our care. Not only that
we keep it clean and in repair, warmed and lighted, not only that
we preserve the fabric as a valuable piece of property; but that
continuing to labor in the spirit of those who have preceded us, we
secure such further additions to it as will tend to make it complete in
its kind.
We say, complete in its kind. And it is our sacred duty, therefore,
to understand what it is that we already have, as well as to ask what
further gifts and further embellishments might add thereto. For to
add, with the best intention and with lavish generosity, but without
an understanding of the conditions and limitations imposed by the
existing edifice, might easily result in such disastrous incongruity
as a future generation, if not ours, would deplore. The land is full
of warning examples, and one is at times appalled to think of the vast
sums embodied in worse than waste, from which our better educated
descendants after us will suffer in the years to come. Knowledge is
bound to grow; travel and study cannot fail to make an understanding of
these things the common property of intelligent Church people as time
goes on. And it is a grave responsibility to be at the head of a parish
in which permanent work is undertaken and executed, work on which the
future is to pronounce judgment. This responsibility, let me add, your
rector for one feels very seriously and deeply.
A very common form of architectural enrichment in this day of growing
wealth and of increasing commemoration of the departed is that of
stained glass windows. No memorial can be more beautiful than this when
wisely planned and well executed. None can be much more painful or
incessantly offensive when inartistic, incongruous, or lacking in the
true devotional spirit.
Public-domain text, read in full here on John Shaqi.
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