It seems to me that this is the moment supremely opportune for us to inaugurate a scheme of window treatment such as shall glorify our house of God more and more till it reaches completion. How long it may take to reach completion is in a sense immaterial. That we should begin now, and make every step a right one, is the great matter. The practical question is, Shall we choose to admit one or a few striking windows into this edifice, windows which may have no relation to each other, produced possibly by methods or on principles entirely at variance, in color-schemes discordant, in scale of drawing entirely dissimilar and unequal: or shall we guide intending donors to such gifts as shall be a satisfaction and a delight forever, beautiful each in itself, but more beautiful still when assembled? This I take it is the question. For I believe windows will be placed, whether we encourage it or not, within a decade, possibly much sooner. And when I put the question thus, it appears to me there is but one answer possible. Let us then get down to the practical details in the matter. Leaving the great chancel window entirely out of consideration, we have five pairs of lancets of equal size on either side of the nave, and a sixth, smaller pair over the doors in continuation of the series up to the chancel. We have further, the magnificent group of three lancets at the foot of the nave, with a fourth lancet a little smaller, and still much larger than those in the pairs already referred to. Here is a considerable number of windows――twenty-nine when we count in the chancel window; what an opportunity for discord and artistic anarchy! Let us say, rather, what a remarkable and rare opportunity for the production of a rich and hallowed splendor, fitted not only to express the consecration of man’s gifts to God, but to instruct the minds and quicken the devotions of generations to come.