Messrs. Chance and Feil, however, have the monopoly of this manufacture, and the production of these discs is a secret process. What we know is that the glass is prepared in pots in large quantities, it is then allowed to cool, and is broken up in order that it may be determined which portions of the glass are worth using for optical purposes. These are gathered together and fused at a red heat into a disc, and it is this disc which, after being annealed with the utmost care, forms the basis of the optician’s work. For the glass used for reflectors, purity is of little moment, as we only require a surface to take a polish, since we look on to it, and not through it; but in the case of the glass that has to be shaped into a lens the purity is of the utmost importance. The practical and scientific optician, on his commencement to make an object-glass, will grind the two surfaces of both flint and crown as nearly parallel as possible, and polish them. In this state he can the better examine them as to veins, striæ, and other defects, which would be fatal to anything made out of it. He has next to see that the annealing is perfectly done by examining the discs with polarized light, to see by the absence of the “black cross” that there is no unequal tension. It is so difficult to run the gauntlet through all these difficulties when the aperture is considerable that refractors of forty inches’ aperture may be perhaps despaired of for years to come, though the glassmaker is willing to try his part. Next, as to metallic specula. As we are dealing with the instruments that are now used, we will be content with considering the compounds that have been made successfully, and omit the variations which have never been brought into practice. To put it roughly, the metal used for Lord Rosse’s reflector consisted of two parts of copper and one part of tin; but here we have an idea of the Scylla and the Charybdis which are always present in these inquiries. If we use too much tin, which tends to give a surface of brilliancy to the speculum, a few drops of hot water poured on it will be enough to shiver it to atoms. This brittleness is objectionable, and what we have to do is to reduce the quantity of tin. But then comes the Charybdis. If we do this, the colour is no longer white, but it is yellow, and in addition we have introduced a surface that quickly tarnishes instead of a surface which remains bright. The proportions which seem to answer best are copper sixty-four parts and tin twenty-nine. Lord Rosse, we believe, uses 31·79 per cent, of tin; or very nearly the above proportions. Mr. Grubb in the Melbourne mirrors used copper and tin in the proportion of 32 to 14·77.