The professional will not, of course, be entirely eliminated from journalism. Despite their love of the amateur, newspaper proprietors realise that his place is not among the reporters, the news editors, the sub-editors, the financial editors, or the “art editors”――whose concern lies not with art, but with news photographs. As to editors, that is another matter. The rôle of editor tends more and more to become that of conduit pipe between staff and proprietary, whose views and policy he is called on to expound and further. So that the amateur will add the editorial chair to his Press conquests. Indeed, he has already made a beginning. One figures the popular “dailies” of the next decade, with their signed articles by film stars, politicians, jockeys, footballers, tennis players, and racing motorists. One visualises their Women’s Page, Beauty Hints, and Guide to the Fashions, ostensibly conducted by popular actresses whose time is already fully occupied in meeting the conflicting claims of the Stage and of “Society.” One foresees the daily sermon by the proprietor’s pet divine, and the daily health article by the medical man who regards the stylo as more lucrative than the scalpel. One foresees also an immense increase in the number of photographs and other pictures, aided by the development of telephotography, television, and air transport. The motorist, the golfer, the collector of antique furniture, the amateur gardener, the investor, will find more space devoted to their special interests. There may even be room for an increase in the amount of space (if not of the quality) devoted to book reviews, although this forecast is admittedly optimistic. (What the public is supposed to want is not literary criticism, but “gossip” about the personal habits, the clothes, the recreations, the holidays, and the monetary earnings of authors.)