Æsthetic as science of expression and general linguisticCroce, Benedetto
Philosophy
Æsthetic as science of expression and general linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
Others point out that animals, or certain animals, think and reason
without speaking. Now as to how, whether, and what animals think,
whether they be rudimentary men, like savages who refuse to be
civilized, rather than physiological machines, as the old spiritualists
maintained, are questions that do not concern us here. When the
philosopher talks of animal, brutal, impulsive, instinctive nature
and the like, he does not base himself on such conjectures as to
dogs or cats, lions or ants; but upon observations of what is called
animal and brutal in man: of the animal side or basis of what we feel
in ourselves. If individual animals, dogs or cats, lions or ants,
possess something of the activity of man, so much the better, or so
much the worse, for them. This means that in respect to them also we
must talk, not of "nature" as a whole, but of its animal basis, as
being perhaps larger and stronger in them than the animal basis of
man. And if we suppose that animals think and form concepts, what kind
of conjecture would justify the assertion that they do so without
corresponding expressions? Analogy with man, knowledge of the spirit,
human psychology, the instrument of all our conjectures as to animal
psychology, would constrain us on the contrary to suppose that if they
think in any way, they also somehow speak.
Another objection is derived from human psychology, and indeed literary
psychology, to the effect that the concept can exist without the word,
for it is certainly true that we all know books _well thought and
ill written_: that is to say, a thought which remains _beyond_ the
expression, or _notwithstanding_ faulty expression. But when we talk of
books well thought and ill written, we cannot mean anything but that in
such books are parts, pages, periods or propositions well thought and
well written, and other parts (perhaps the least important) ill thought
and ill written, not really thought and so not really expressed. Where
Vico's _Scienza nuova_ is really ill written, it is also ill thought.
If we pass from the consideration of big books to a short sentence, the
error or inaccuracy of such a contention will leap to the eyes. How
could a single sentence be clearly thought and confusedly written?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account