Æsthetic as science of expression and general linguistic — John Shaqi
Æsthetic as science of expression and general linguisticCroce, Benedetto
Philosophy
Æsthetic as science of expression and general linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
All that can be admitted is that sometimes we possess thoughts
(concepts) in an intuitive form, which is an abbreviated or rather
peculiar expression, sufficient for us, but not sufficient to
communicate it easily to any other given person or persons. Hence it
is incorrect to say that we have the thought without the expression;
whereas we should rather say that we have, indeed, the expression, but
in such a form that it is not easy to communicate it to others. This,
however, is a very variable, relative fact. There are always those who
catch our thought on the wing, prefer it in this abbreviated form,
and would be wearied by the greater development of it required by
others. In other words, the thought considered abstractly and logically
will be the same; but æsthetically we are dealing with two different
intuition-expressions, into which different psychological elements
enter. The same argument suffices to destroy, that is, to interpret
correctly, the altogether empirical distinctior between an _internal_
and an _external_ language.
[Sidenote: _Art and science._]
The most lofty manifestations, the summits of intellectual and of
intuitive knowledge shining from afar, are called, as we know, Art and
Science. Art and Science, then, are different and yet linked together;
they meet on one side, which is the æsthetic side. Every scientific
work is also a work of art. The æsthetic side may remain little noticed
when our mind is altogether taken up with the effort to understand the
thought of the man of science and to examine its truth. But it is no
longer unnoticed when we pass from the activity of understanding to
that of contemplation and see that thought either develop itself before
us, limpid, exact, well-shaped, without superfluous or insufficient
words, with appropriate rhythm and intonation; or confused, broken,
embarrassed, tentative. Great thinkers are sometimes called great
writers, while other equally great thinkers remain more or less
fragmentary writers even if their fragments have the scientific value
of harmonious, coherent, and perfect works.
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