Sticks and Stones: A Study of American Architecture and CivilizationMumford, Lewis
History
Sticks and Stones: A Study of American Architecture and Civilization
Mumford, Lewis
Architecture -- United States
I emphasize these points of structure because of the silly notion
superficial observers sometimes carry away from the villages of
Europe or New England; namely, that their irregularity is altogether
capricious and uneconomical, associated only with the vagaries of the
straying cow. It would be more correct to say that the precise reverse
was true. The inequality in size and shape of plots shows always that
attention was paid to the function the land was to perform, rather
than to the mere possession of property. Thus, there was a difference
in size between home lots, which were always seated in the village,
and purely agricultural tracts of land, which were usually on the
outskirts; and in Dedham, for example, married men had home lots of
twelve acres, while bachelors received only eight. Another reason
for the compactness of the village was a decree of the General Court
in Massachusetts, in 1635, that no dwelling should be placed more
than half a mile from the meeting-house in any new plantation. Even
irregularities in the layout and placement of houses, which cannot
be referred to such obvious points as these, very often derive from
an attempt to break the path of the wind, to get a good exposure in
summer, or to profit by a view.
All this was genuine community planning. It did not go by this name,
perhaps, but it achieved the result.
III
We have learned in recent years to appreciate the felicities of
eighteenth-century colonial architecture, and even the earlier
seventeenth-century style is now coming into its own, in the sense that
it is being imitated by architects who have an eye for picturesque
effects; but we lose our perspective altogether if we think that the
charm of an old New England house can be recaptured by designing
overhanging second stories or panelled interiors. The just design,
the careful execution, the fine style that brings all the houses
into harmony no matter how diverse the purposes they served--for the
farmhouse shares its characteristics with the mill, and the mill with
the meeting-house--was the outcome of a common spirit, nourished by
men who had divided the land fairly and who shared adversity and good
fortune together. When the frame of the house is to be raised, a man’s
neighbors will lend him a hand; if the harvest is in danger, every man
goes out into the fields, even if his own crop is not at stake; if a
whale founders on the beach, even the smallest boy bears a hand, and
gets a share of the reward. All these practices were not without their
subtle effect upon craftsmanship.
Public-domain text, read in full here on John Shaqi.
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