Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
Of course there is a sign for every weapon. The knife--scalp or
other--is shown by cutting the sinister palm with the dexter ferient
downward and towards oneself: if the cuts be made upward with the
palm downwards, meat is understood. The tomahawk, hatchet, or axe,
is denoted by chopping the left hand with the right; the sword by
the motion of drawing it: the bow by the movement of bending it,
and a spear or lance by an imitation of darting it. For the gun the
dexter thumb or fingers are flashed or scattered, _i.e._ thrown
outwards and upwards, to denote fire. The same movement made lower down
expresses a pistol. The arrow is expressed by knocking it upon an
imaginary bow, and by snapping with the index and medius. The shield
is shown by pointing with the index over the left shoulder where it is
slung ready to be brought over the breast when required.
The pantomime, as may be seen, is capable of expressing detailed
narratives. For instance, supposing an Indian would tell the following
tale:--“Early this morning I mounted my horse, rode off at a gallop,
traversed a ravine, then over a mountain to a plain where there was no
water, sighted bisons, followed them, killed three of them, skinned
them, packed the flesh upon my pony, remounted, and returned home,”--he
would symbolize it thus:
Touches nose--“I.”
Opens out the palms of his hand--“this morning.”
Points to east--“early.”
Places two dexter forefingers astraddle over sinister index--“mounted
my horse.”
Moves both hands upwards and rocking-horse fashion towards the
left--“galloped.”
Passes the dexter hand right through thumb and forefinger of the
sinister, which are widely extended--“traversed a ravine.”
Closes the finger-tips high over the head and waves both palms
outwards--“over a mountain to a plain.”
Scoops up with the hand imaginary water into the mouth, and waves the
hand from the face to denote no--“where there was no water.”
Touches eye--“sighted.”
Raises the forefingers crooked inwards on both sides of the
head--“bison.”
Smites the sinister palm downwards with the dexter first--“killed.”
Shows three fingers--“three of them.”
Scrapes the left palm with the edge of the right hand--“skinned them.”
Places the dexter on the sinister palm and then the dexter palm on the
sinister dorsum--“packed the flesh upon my pony.”
Straddles the two forefingers on the index of the left--“remounted.”
Finally, beckons towards self--“returned home.”
“While on the subject of savage modes of correspondence, it may not
be out of place to quote an amusing incident furnished by the Western
African traveller Hutchinson. There was, it seems, a newspaper
established in the region in question for the benefit of the civilized
inhabitants, and an old native lady having a grievance, “writes to
the editor.” Let us give her epistle, and afterwards Mr. Hutchinson’s
explanation of it:
“_To Daddy Nah, Tampin Office._
Public-domain text, read in full here on John Shaqi.
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