Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church — John Shaqi
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
As they entered the church Mr. Acres heard, to his surprise, the clear
ring of Mary's happy laugh. She was standing in the south aisle, beside
the paper on which she had been vainly attempting to copy a monumental
brass. Seeing her father approach with a serious and somewhat reproving
countenance, she at once guessed the cause, and anticipated the
reprimand he was about to utter. "You must not be angry with me, Papa,"
she said, in a very subdued tone, "for indeed I could not help laughing,
though I know it is very wrong to laugh in church; but, you know, I had
just finished my rubbing of the brass here, and thought I had done it so
well, when all of a sudden the paper slipped, and the consequence was
that my poor knight had two faces instead of one; and he looked so queer
that I could not help laughing at him very much."
"No doubt, my dear child," said her father, "there was something in your
misfortune to provoke a laugh, but I think you must have forgotten for a
moment the sacredness of this place, when you gave vent to the merry
shout I heard just now. You should always remember that in God's house
you are standing on _holy ground_, and though it may be permissible for
us to go there for the purpose of copying those works of art, which in
their richest beauty are rightly dedicated to God and His service, and
these curious monuments which you and Ernest have been tracing, yet we
should ever bear with us a deep sense of the sanctity of the building as
the 'place where His honour dwelleth,' and avoid whatever may give
occasion to levity; or should the feeling force itself upon us, we
ought, by a strong effort, to resist it."
Public-domain text, read in full here on John Shaqi.
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