Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church — John Shaqi
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
Although the words were spoken in a kind and gentle voice, many tears
had already fallen upon Mary's spoilt tracing, so her father said no
more on the subject; but, taking her hand, led her quietly away to a
chapel at the north-east corner of the church, round which was placed a
beautifully carved open screen. It was the burial-place of the family
that formerly tenanted the Hall, and there were many brass figures and
inscriptions laid in the floor to their memory. Here, attentively
watched by old Matthew the sexton, Ernest was busily engaged tracing the
figure of a knight in armour, represented as standing under a handsome
canopy. He had already completed his copy of the canopy, and of the
inscription round the stone, and was now engaged at the figure. Two
sheets of paper were spread over the stone, and he had guarded against
Mary's accident by placing on the paper several large kneeling hassocks,
which were used by the old people. He was himself half reclining on a
long cushion laid on the pavement, and having before marked out with his
finger on the paper the outlines of the brass underneath it, was now
rubbing away vigorously with his heel-ball[40], and at every stroke a
little bit more of the knight came out upon the paper, till, like a
large black drawing, the complete figure appeared before them. They had
all watched Ernest's labours with the greatest interest, and, this being
the last, they assisted in rolling up the papers, that they might be
taken home for more careful examination in the evening.
"I wish Master Ernest could take a picture of good old Sir John, as we
call him, Mr. Acres," said Matthew; "I mean him as lies in the chancel,
right in front of the altar; but he's cut out in the flat stone, and not
in the metal, so I suppose Master Ernest can't do it. I remember the
time, sir, when people as were sick and diseased used to come for miles
round to lie upon that stone, and they believed it made them much
better[41]; and if they believed it, I dare say it did, sir. And 'tisn't
but a very few years back when it would have been thought very unlucky
indeed if a corpse had not rested over good Sir John all night before
its burial. We still place the coffins just in the same place at the
funerals, but of course nobody any longer believes that good Sir John
can do good or ill to those inside them."
"I must bring some stronger paper than that I use for the brasses, to
copy the stone figure, Matthew," said Ernest; "so that must be done
another day."
All said good-bye to the old sexton, and as he wended his way up the
narrow stone stairs to his little chamber, Mr. Acres and his family
returned to Oakfield Hall.
The dining-room was soon decorated with the trophies of Ernest's four
days' labour, and other rubbing's which he had before taken; and when
Mr. Ambrose arrived he was met by several eager petitioners, praying him
to give some explanation of the strange-looking black and white figures
that hung upon the walls.
Public-domain text, read in full here on John Shaqi.
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