Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
putting on of apparel,' against which St. Paul wrote, and which is one
of the great sins of our day; for though we find elaborate and costly
robes represented on the brasses of the great and the wealthy, you
always see the figures of the humbler classes clothed in neat and simple
attire. If people would only follow the good advice of old Polonius to
his son,
'Costly thy habit as thy purse can buy,
But not express'd in fancy[49],'
there would be less sin, and less want, and less misery in the world."
_CHAPTER X_
THE PAVEMENT
"Behold, I will lay thy stones with fair colours."
Isa. liv. 11.
"How all things glow with life and thought,
Where'er our faithful fathers trod!
The very ground with speech is fraught,
The air is eloquent of God.
In vain would doubt or mockery hide
The buried echoes of the past;
A voice of strength--a voice of pride--
Here dwells amid the stones and blast!
"Still points the tower, and pleads the bell,
The solemn arches breathe in stone,
Window and wall have lips to tell
The mighty faith of days unknown;--
Yea! flood, and breeze, and battle shock
Shall beat upon this Church in vain,
She stands a daughter of the rock--
The changeless God's eternal fane!"
R. S. HAWKER.
Illustration: Church of St. John the Baptist, Kidmore End
THE PAVEMENT
Illustration: Encaustic Tile, Brooke Church
Mr. Acres and his family attended Morning Prayer at St.
Catherine's the day following the Vicar's lecture; and after service
they examined with greater interest than ever they had done before the
floor of the church--indeed Mr. Acres confessed that till that morning
he had never had the curiosity to walk up either of the aisles of the
church with the view of finding any object of interest on the pavement.
In the course of their search they now discovered a large flat stone,
hitherto unknown even to the Vicar; the stone, when cleansed from the
dust which had accumulated upon it (for it was placed in a remote corner
of the church), was very white; it was engraved with the figure of a
priest, and the incised lines were filled with a black resinous
substance, so that it almost looked like a large engraving on paper, or
still more like one of the copies of brasses which Ernest had exhibited
the night before[50]. But what most attracted their attention was the
curious old _pavement tiles_, of various patterns, which they found in
different parts of the floor of the church. Their admiration of these
ancient works of art was soon so deeply engaged, and their desire to
know more about them so excited, that Ernest was speedily despatched to
the vestry to request the Vicar to come and satisfy their inquiries.
Public-domain text, read in full here on John Shaqi.
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