Jewish fiction; Jews -- Fiction; Peretz, Isaac Leib, 1851 or 1852-1915 -- Translations into English; Short stories
And over the fields with the flames there sauntered parties and parties
of Chassidîm--the satin and even the satinette cloaks shine like glass,
the torn ones and the whole alike--and the little flames that rose from
the grass attached themselves to the shining holiday garments and seemed
to dance round every Chossid with delight and affection--and every
company of Chassidîm gazed up with wonderfully thirsty eyes at the
Rebbe's balcony--and I could see how that thirsty gaze of theirs sucked
light from the balcony, from the Rebbe's face, and the more light they
sucked in, the louder they sang--louder and louder--more cheerfully,
more devoutly.
And every company sang to its own tune, but all the different tunes and
voices blended in the air, and there floated up to the Rebbe's balcony
_one_ strain, _one_ melody--as though all were singing _one_ song. And
everything sang--the sky, the celestial bodies, the earth beneath, the
soul of the world itself--everything was singing!
Lord of the world! I thought I should dissolve away for sheer delight!
But it was not to be.
"It is time for the afternoon prayers!" said the Brisk Rabbi, suddenly,
in a sharp tone; and it all vanished.
Silence ... the curtain has fallen back across my eyes; above is the
usual sky, below--the usual fields, the usual Chassidîm in torn
cloaks--old, disconnected fragments of song--the flames are
extinguished. I glance at the Rebbe; his face is darkened, too.
* * * * *
They were not reconciled; the Brisk Rabbi remained a Misnagid as before.
But it had one result! He never persecuted again.
XXVI
THE IMAGE
Great people have been known to do great wonders; witness the time when
they attacked the Ghetto in Prague, and were about to assault the women,
roast the children, and beat the remainder to death. When all means of
defense were exhausted, the Maharal[145] laid down the Gemoreh, stepped
out into the street, went up to the first mud-heap outside the door of a
school-master, and made a clay image.
He blew into its nostril, and it began to move; then he whispered a name
into its ear, and away went the image out of the Ghetto, and the Maharal
sat down again to his book. The image fell upon our enemies who were
besieging the Ghetto, and threshed them as it were with flails--they
fell before him as thick as flies.
Prague was filled with corpses--they say the destruction lasted all
Wednesday and Thursday; Friday, at noon, the image was still at it.
"Rabbi," exclaimed Kohol, "the image is making a clean sweep of the
city! There will be no one left to light the fires on Sabbath or to take
down the lamps!"[146]
A second time the Maharal shut his book; he took his stand at the desk
and began to chant the psalm, "A Song of the Sabbath Day."
Whereupon the image ceased from work, came back to the Ghetto, entered
the synagogue, and approached the Maharal.
Public-domain text, read in full here on John Shaqi.
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