The performance of this task has suggested the idea that, in romantic
fiction, ours is the day of small things,--small as the diamond and the
violet are small. Going freely through English literature to gather
little classics, I have been surprised at finding so few that antedate
the present century. Hawthorne, De Quincey, Poe, and Dr. Brown have put
within the compass of a few pages as much plot and character, as much
pathos, humor, human nature, metaphysical speculation, and dramatic
effect, as commonly suffice for a full-length romance. The ponderous
novel cannot be said to have had its day; but the indications are that
it must soon cease to have more than its day. The work of art which,
embodying a sacred principle or a living idea, condenses its plot, its
moral, and its effective climax into the limits of a single sitting
must, in an age of crowding books and rushing readers, possess a
decisive advantage over the unwieldy conventional novel, with its
caravan of characters and its long bewilderment of detail. The Ark of
the Deluge may crumble on the mountain, but the Ark of the Covenant is
borne by the people through all their wanderings, and enshrined in the
temple when they rest.
If the prevailing cast of these tales is sombre and tragic, it is not
from any design on the part of the compiler; it is because, being true
to nature and to human experience, they follow the inevitable course of
human destiny. In the broad light of our daily life lie the superficial,
the ephemeral, and the inessential; in its shadow lie God's solemn
mysteries and man's profoundest studies. That in us which humor appeals
to is selfish, and finds its limit within the narrow boundary of one's
own being. That which pathos awakens is sacrificial in its tendency, and
stretches a protecting arm, or offers a sympathetic heart, to all the
world.
NEW YORK, February, 1874.
[Illustration]
CONTENTS.
PAGE
ETHAN BRAND _Nathaniel Hawthorne_ 7
THE SWANS OF LIR _Gerald Griffin_ 30
A NIGHT IN A WORKHOUSE _James Greenwood_ 56
THE OUTCASTS OF POKER FLAT _Bret Harte_ 85
THE MAN WITHOUT A COUNTRY _Edward Everett Hale_ 101
FLIGHT OF A TARTAR TRIBE _Thomas De Quincey_ 137
[Illustration]
NOTE.
Thanks are due to the several American authors represented in this
collection, and to their publishers, for the permission kindly given to
use selections from their copyrighted works.
[Illustration]
ETHAN BRAND.
BY NATHANIEL HAWTHORNE.
Bartram the lime-burner, a rough, heavy-looking man, begrimed with
charcoal, sat watching his kiln, at nightfall, while his little son
played at building houses with the scattered fragments of marble, when,
on the hillside below them, they heard a roar of laughter, not mirthful,
but slow, and even solemn, like a wind shaking the boughs of the forest.
Public-domain text, read in full here on John Shaqi.
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