"Father, what is that?" asked the little boy, leaving his play, and
pressing betwixt his father's knees.
"O, some drunken man, I suppose!" answered the lime-burner; "some merry
fellow from the bar-room in the village, who dared not laugh loud enough
within doors, lest he should blow the roof of the house off. So here he
is, shaking his jolly sides at the foot of Graylock."
"But, father," said the child, more sensitive than the obtuse,
middle-aged clown, "he does not laugh like a man that is glad. So the
noise frightens me!"
"Don't be a fool, child!" cried his father, gruffly. "You will never
make a man, I do believe; there is too much of your mother in you. I
have known the rustling of a leaf startle you. Hark! Here comes the
merry fellow, now. You shall see that there is no harm in him."
Bartram and his little son, while they were talking thus, sat watching
the same lime-kiln that had been the scene of Ethan Brand's solitary and
meditative life, before he began his search for the Unpardonable Sin.
Many years had elapsed since the portentous night when the IDEA was
first developed. The kiln, however, on the mountain-side, stood
unimpaired, and was in nothing changed since he had thrown his dark
thoughts into the intense glow of its furnace, and melted them, as it
were, into the one thought that took possession of his life. It was a
rude, round, tower-like structure, about twenty feet high, heavily built
of rough stones, and with a hillock of earth heaped about the larger
part of its circumference; so that the blocks and fragments of marble
might be drawn by cart-loads, and thrown in at the top. There was an
opening at the bottom of the tower like an oven-mouth, but large enough
to admit a man in a stooping posture, and provided with a massive iron
door. With the smoke and jets of flame issuing from the chinks and
crevices of this door, which seemed to give admittance into the
hillside, it resembled nothing so much as the private entrance to the
infernal regions, which the shepherds of the Delectable Mountains were
accustomed to show to pilgrims.
Public-domain text, read in full here on John Shaqi.
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