To all this the answer seemed plain enough after a little thought. She did not know how fearfully she had disclosed herself; she was too profoundly innocent. Her soul was no more ashamed than the fair shapes that walked in Eden without a thought of over-liberal loveliness. Having nobody to tell her story to,——having, as she said in her verses, no musical instrument to laugh and cry with her,——nothing, in short, but the language of pen and pencil,——all the veinings of her nature were impressed on these pages, as those of a fresh leaf are transferred to the blank sheets which enclose it. It was the same thing which I remember seeing beautifully shown in a child of some four or five years we had one day at our boarding-house. This child was a deaf-mute. But its soul had the inner sense that answers to hearing, and the shaping capacity which through natural organs realizes itself in words. Only it had to talk with its face alone; and such speaking eyes, such rapid alternations of feeling and shifting expressions of thought as flitted over its face, I have never seen in any other human countenance. I found the soul of Iris in the book that lay open before me. Sometimes it was a poem that held it, sometimes a drawing,——angel, arabesque, caricature, or a mere hieroglyphic symbol of which I could make nothing. A rag of cloud on one page, as I remember, with a streak of red zigzagging out of it across the paper as naturally as a crack runs through a china bowl. On the next page a dead bird,——some little favorite, I suppose; for it was worked out with a special love, and I saw on the leaf that sign with which once or twice in my life I have had a letter sealed,——a round spot where the paper is slightly corrugated, and, if there is writing there, the letters are somewhat faint and blurred. Most of the pages were surrounded with emblematic traceries. It was strange to me at first to see how often she introduced those homelier wild-flowers which we call _weeds_,——for it seemed there was none of them too humble for her to love, and none too little cared for by Nature to be without its beauty for her artist eye and pencil. By the side of the garden-flowers,——of Spring’s curled darlings, the hyacinths, of rosebuds, dear to sketching maidens, of flower-de-luces and morning-glories,——nay, oftener than these, and more tenderly caressed by the colored brush that rendered them,——were those common growths which fling themselves to be crushed under our feet and our wheels, making themselves so cheap in this perpetual martyrdom that we forget each of them is a ray of the Divine beauty.